• Australia –
ABC, one of the companies who helped in producing the film, broadcast the film in 1989 under the title,
The Four-Day Revolution. The film was released on home video in the country though
CIC-Taft Home Video. • Spain – the film was once shown in Spain under the title,
Una Vida Peligrosa. • Canada – the movie was released on home video in Canada in 1989 through Nova Home Video. • Finland – the film was once shown in Finland under the title,
Vaarallista elämää. • Indonesia – the film was once shown in Indonesia under the title,
Revolusi 4 hari airing
TVRI,
RCTI,
SCTV (TV network) and
ANTV premiered in 1990s during
May 1998 riots of Indonesia. • South Korea – the film was once shown in South Korea under the title,
wiheomhan saenghwal (
Korean: 위험한 생활). • Philippines –
ABS-CBN first broadcast the film on 11 December 1988 and the network's first
marathon broadcast via
satellite and was also the first major Australian production to air on the network. ABS-CBN re-aired the film during
Holy Week 2010. Both stations aired the film during commemorations of the Ninoy Aquino assassination and EDSA 1986, most notably the 25th and 30th anniversaries of both events. • United States –
HBO broadcast the film on 27 November 1988. The film was released on home video in the country by ITC Home Video (distributed by
J2 Communications). • West Germany – the film was once shown in Germany under the title,
Ein gefährliches Leben. • Japan – the film was once shown in Japan under the title, ''Kiken'na seikatsu
(Japanese'': 危険な生活). • United Kingdom - It was co-produced by
Central and former sister company
Zenith Productions and shown on the ITV Network in April 1989 presented by Central and distributed worldwide by ITC Entertainment (now distributed by ITV Studios Global Entertainment).
Critical response Howard Rosenberg of the
L.A. Times gave
A Dangerous Life a positive review, stating that it is "masterful, simply mesmerizing", and noted that though it takes some artistic license with history, "As drama, [...] "A Dangerous Life" is irresistible, six hours of tingly, high-charged TV that are as volatile, ironic and suspenseful as the history they purport to re-enact". He otherwise griped about romantic subplot of Tony as "lack[ing] validity and occasionally slow[ing] the story".
Manila Standard columnist Emil P. Jurado disparaged
A Dangerous Life, calling it an "insult to the Filipino people... and to the heroes of EDSA in particular" for its poor acting, conspicuously Sri Lankan extras, and treatment of foreigners as the main heroes. Jurado, however, noted "flashes of brilliance" from the performances of Laurice Guillen and Tessie Tomas as Corazon Aquino and Imelda Marcos respectively. Karla Delgado, also of the
Manila Standard, gave a negative review to the miniseries, deeming it "misfocused" due to the inclusion of a fictional romantic subplot, which she thought was less interesting than the real events depicted. Nevertheless, Delgado praised Tomas' "dramatic" performance as Imelda and Ruben Rustia's "perfected" mannerisms and voice of Ferdinand. Columnist Petronilo Bn. Daroy stated that even with its inaccuracies to the events of the revolution, "[a]s art, as film,
A Dangerous Life is unexciting." Actress
Armida Siguion Reyna found the miniseries "boring", expressing that it is likely due to the story being "recent Philippine history" and lacking any new insight. She also stated that the miniseries "is unkind to Juan Ponce-Enrile who is portrayed as almost a coward," while giving praise to the performance of Tomas, whom she considered "so believable in the role [of Imelda]." ==References==