Craig Butler's review of
A Date with Judy describes the film as a light and charming musical, typical of 1940s and 1950s Hollywood. He highlights the cheerful tone and simple structure of the plot, which is exaggerated and improbable, yet still manages to maintain a steady pace. Director Richard Thorpe ensures a light-hearted approach, while Stanley Donen's choreography is fast-paced and creative. Jane Powell is mentioned for her exaggerated energy, though her performance of "It's a Most Unusual Day" is praised. Elizabeth Taylor, while stunning, brings more depth to her role than is required, and Wallace Beery is described as captivating. Carmen Miranda is also noted for her energy, especially in her performance of "Cuanto Le Gusta." Despite being dated and superficial in its views on women, the film is still considered moderately enjoyable.
Variety's review highlights the youthful enthusiasm and light entertainment of
A Date with Judy, based on the characters created by Aleen Leslie. Jane Powell is praised for her attractive presence, with emphasis on her vocal performances in five numbers and her comedic antics that drive the plot forward. The song "It's a Most Unusual Day" by Jimmy McHugh and Harold Adamson is described as the highlight, being repeated at the end. Carmen Miranda is also mentioned for her usual energy in "Cooking with Glass" and "Cuanto Le Gusta," leaving a strong impression. Tony Sloman of
Radio Times gives
A Date with Judy a rating of 3 out of 5 stars, considering it a charming musical from MGM's golden age, though a bit long and corny by modern standards. He highlights sweet Jane Powell in the lead role and praises the opportunity for Elizabeth Taylor to shine. Wallace Beery, though at the end of his career, still stands out, despite Technicolor not being flattering to his appearance. Sloman also mentions that Beery manages to perform alongside Carmen Miranda, and emphasizes the success of the song "It's a Most Unusual Day". In his review for
The New York Times, Thomas F. Brady notes that the film follows Hollywood's established conventions for teen comedies but remains pleasantly entertaining within that familiar format. He acknowledges that Metro-Goldwyn-Mayer's formula for such comedies is effective, even though it has been worn out by years of repetition. Brady concludes that the film provides acceptable summer entertainment for those not overly tired of typical teen plots and their predictable attitudes. Andrea Passafiume of
Turner Classic Movies discusses Elizabeth Taylor's transformation from a youthful actress to a sex symbol, portraying a "bad girl" in contrast to Jane Powell’s "good girl." She highlights the friendship between the two actresses and how Taylor seized the opportunity to change her on-screen image, a shift crucial to her career. The review also praises the film's musical numbers, such as "It's a Most Unusual Day" and "Judaline," with Carmen Miranda standing out as the rumba teacher Rosita, particularly in her performance of "Cuanto Le Gusta." Xavier Cugat is also mentioned for bringing his Latin energy to the film. Wallace Beery, as Judy's father, receives mixed reviews from Powell, who describes him as difficult to work with, though she respected him as an actor. ==References==