Beginnings Formed in
Dublin in 1985 by former members of the band Last Chance, vocalist
Dave Couse, guitarist Fergal Bunbury and drummer Dermot Wylie were joined by bassist Martin Healy (who had all been friends at
Templeogue College), formed as A House. The band honed their live skills in the pubs of Dublin, performing in McGonagle's club (where
U2 performed in the late 1970s), at free gigs in the
Phoenix Park and turns on
RTÉ's TV GaGa and
Dave Fanning's radio sessions. The band's earliest recorded appearance was on a charity compilation called ''Blackrock Youth Aid '85'', assembled at
Newpark School. This was followed by tracks on two compilations. "On Your Bike Wench, and Let's Have the Back of You" appeared on the
EP Live at the Underground (1986) and "What a Nice Evening to Take the Girls Up the Mountains" appeared on the
Street Carnival Rock EP (1987). Two self-released singles, "Kick Me Again Jesus" and "Snowball Down", followed, released on the label RIP Records.
On Our Big Fat Merry-Go-Round and I Want Too Much Recording a
John Peel session for BBC radio in the
United Kingdom, and gaining regional popularity, the band signed with
Blanco y Negro, which released the singles "Heart Happy" and "Call Me Blue" in Ireland and the UK. "Endless Art" also benefitted from an accompanying
stop-motion animation video that gained significant airplay on
MTV in Europe, but the record failed to sell well. Nevertheless, "Endless Art" became A House's signature for many, replacing "Call Me Blue". The song, somewhat unusual in its musical approach and lyrics, begins with a quotation by
Oscar Wilde and
lists an extensive roster of famous artists from various forms of art, all dead, with years of births and deaths specified. Couse had frequently used the list format, beginning with the song "I Want Too Much". A House faced criticism because all of the artists mentioned in the original "Bingo" release of the song were men, The band tried to make amends by providing "More Endless Art", a second version of the song
I Am the Greatest The Parlophone distribution of "Endless Art" was the flagship single from A House's new album,
I Am the Greatest (1991). For the album, Parolophone again taking control of distribution from Setanta. and had been working on the TV show
Jo Maxi, contributed backing vocals, and David Morrissey was added on keyboards. This new trio remained with A House until it dissolved. although they were less involved in the creative process than were the remaining original trio. However, their presence enabled A House to embrace a broader musical palette. This was enabled further on "I Am the Greatest" by Collins's production work and extra contributions by
Susie Honeyman on the violin. Lyrically, the songs on the record addressed themes running from satire of societal and religious pieties, through excruciating examinations of personal fears, to the title track, on which the three core band members ruminate in
spoken-word fashion on their lives, regrets, jealousies and the state of music in the 1990s. The cover artwork was created by Fergal Bunbury with an image by Irish photographer
Amelia Stein. A second single from the album, "Take It Easy on Me", was released in 1992.
Wide-Eyed and Ignorant and No More Apologies I Am the Greatest is perhaps A House's most significant legacy, and is cited by many as one of the best ever released by an Irish band. attended by the band members' families and filling the
Olympia Theatre. ==Critique==