Critical response The film was favourably reviewed by the eminent critic
Pauline Kael in
The New Yorker : " The protagonist of
Leap - a judge, Mauro Ponticelli, played by the usually suave French actor
Michel Piccoli - is mean in perverse,
Bunuelian ways...Mauro has always been protected and cared for by his older sister, Marta..He has no intention of growing up...[her] unusual behaviour has actually been a sign that she is rebelling - that she's struggling to free herself from her deathly bondage to him... The movie is about family entanglements and the functions of madness...Mauro is a craven fraud...Mauro the judge is a worm : a spoiled worm wriggling in its comfortable nest...Piccoli is able to give this mesmerizing performance despite the fact that he and
Anouk Aimée are dubbed into Italian...Anouk Aimée is usually strikingly beautiful and a little blank - not quite in contact;.. But she's a magnificent camera subject, and her remoteness fits the situation here..
Leap Into the Void is a film about people who are out of control made by a director who's in as close to total control as a moviemaker is ever likely to be..there's greatness in it."
Awards •
David di Donatello Awards • 1980:
David di Donatello for Best Director to
Marco Bellocchio •
Cannes Film Festival •
1980:
Best Actress Award to
Anouk Aimée •
1980:
Best Actor Award to
Michel Piccoli ==See also==