Although tapes of concerts
recorded from the audience had been distributed among Phish's fanbase for several years by the time of
A Live Ones release, the album marked the first time that the band had officially released live recordings directly from their soundboard masters. The album was named after a question that the band members were often asked by fans: "When are you gonna put out a live one?" Each track on the album was recorded at a different live show in the United States with one track taken from the 1994 summer tour and the rest from the fall tour. Although recorded at different venues, the songs are noted in the liner notes as having been recorded at "The Clifford Ball", a reference to aviator
Clifford Ball that the band would use again as the name of their
1996 festival. This decision was made because the band's management could not secure the recording rights from every venue featured on the album at the time of its release. Five of the songs—"Gumbo", "Slave to the Traffic Light", "Wilson", "Simple" and "Harry Hood"—had never appeared on any of Phish's studio albums, but all of them were regularly performed by the band in concert.
A Live One marked the first time all five had appeared on an official Phish release. Of those songs, only "Slave to the Traffic Light" would subsequently be released in a studio version, when a recording of the song from 1986 appeared on the 1998 Elektra reissue of the band's demo release
The White Tape. The track "Montana" is a two-minute excerpt from the longform improvisation that followed "Tweezer" during the band's show in
Bozeman, Montana. On
A Live One, "Montana" serves as a prelude to the epic "
You Enjoy Myself", one of the best-known versions of that song. Two of the concerts that were excerpted on
A Live One were later issued in their entirety by Phish: July 8, 1994 (featuring the
A Live One version of "Stash") and November 28, 1994 (which is the source of the aforementioned "Montana"). ==Tracklist selection==