script, by Abdol Majid Taleqani The
Shekasteh script, which fuses features from
taliq and
Nastaliq, emerged at the Safavid court circles in the 17th century. At the time, the script was used for correspondence. Taleqani's calligraphy teacher is unknown, but Taleqani's works were reportedly of even higher quality than that of Mohammad Shafi al-Hosayni (died 1670/1). The art historian P. P. Soucek explains that Taleqani may have therefore studied under a calligrapher who worked in the style of Mohammad Shafi al-Hosayni. Abdol Majid's calligraphic works are mostly known through album pages created between 1756/7 to 1771/2. These album pages are written in both
Shekasteh and
Nastaliq calligraphic scripts. In 19th-century
Qajar Iran, the
Shekasteh script was also used for album pages and copying manuscripts in addition to correspondence. Abdol Majid's calligraphic career, in turn, "may mark the beginning of a wider acceptance of this script". Abdol Majid's personal formulation of
Shekasteh was reportedly admired and imitated by later Iranian calligraphers, including Mirza Kuchik Esfahani (died 1813) and Neshat (died 1829). ==Poetry==