Abraham Storck

Storck was baptized in the Noorderkerk, a Protestant church in the Jordaan. His father was the painter Jan Jansz Storck (also called Sturck and later Johannes Sturck(en)burgh) (1603–1673), from Wesel. His mother was Teuntje (Apolonia) Jacobs. The couple had married in 1628. Storck had two older brothers, Johannes (1629–73) and Jacobus (1641–in or after 1687). It is likely the three brothers trained with their father in the family workshop before joining the Amsterdam Guild of Saint Luke. Abraham was first registered in the list of members of the Guild in 1688. He was buried at the St Anthony cemetery in Amsterdam on 8 April 1708. ==Work==

Strock was a very prolific artist who produced a great number of works thanks to the large workshop he operated. He was principally a marine painter who produced works depicting the whole range of battle scenes, storms, shipwrecks, views of ships in rivers, coastal waters and harbours, marine 'parades' and whaling scenes. He further painted townscapes seen from a river or canal. He painted realistic as well as imaginary landscapes and marine scenes. Storck produced fantastical views of Mediterranean ports, in which merchant shipping appear amidst architectural ruins, depicted in the crystal-clear colours of Italian art of the period. This type of scene anticipated the popular 18th-century Italian capriccio. He depicted ships' rigging and technical details with considerable accuracy, which likely shows the influence of the van de Veldes. Storck further painted some winter scenes, which were inspired by the works of Jan Abrahamsz Beerstraaten and his son Abraham Beerstraaten. He collaborated a few times with the landscape painter Thomas Heeremans who was known as a specialist in winter landscapes. An example is the Winter landscape with the Montelbaanstoren, Amsterdam dated 1676 in which Heeremans painted the winter landscape and Storck the figures. ==Notes==