The organisation was established as the '''Actors' Federation of Australasia'
in January 1920 under the Federal Arbitration Act'', after initial registration issues from the Theatrical Proprietors and Managers' Association in October 1919. The inaugural office holders were president Walter Baker and secretary Charles Dunn. One of its first acts was to make theatrical profession members aware of salaries to be at standard rate of pay when working outside of Australasia, as exchange rates may be less. In June 1920, it applied to have the Australian Vaudeville Artists' Federation to be deregistered as it was a defunct body. An employment award was proposed in February 1923 for minimum pay for each performance and rehearsal of five
shillings; but for Sydney, Melbourne, and Adelaide, no less than
£2 in any week. For members of the ballet or chorus, men £5, women £4, actors £5 5s, actresses £4 15s; and no more than eight performances in a week, or twelve
vaudeville revues in a week. After the October 1933 meeting, the president was Mr R. Conway, vice-presidents Dame
Sybil Thorndike (stage actor) and Messieurs
Lewis Casson (actor and theatre director) and E. Pitcher, vice-president and Victorian representative Mr A. S. Hodge, vice-president and travelling representative Mr. W. R. Heaton (from Wellington, NZ), with general secretary Mr
Bertie Wright (silent film actor). Support was given in February 1934 to establish a quota system for Australian-made films, to help local production and employment of artists and associated bodies. The organisation was renamed '''Actors' Equity of Australia''' after an application in January 1936. In July 1936, a new employment award was sought for actors and actresses salary of £10 a week, chorus and ballet of £7 10s, and £5 for extra women, mannequins, and show girls. Casual engagements for actors and actresses should be £3 3s for each performance, and £2 2s for chorus and ballet. following the collapse of the Announcers' Association of Australia. The Announcers' Association was registered in December 1938 after some delays. In 1946, Equity allowed 25% of imported variety acts and dramatic programmes, and up to 75% for ballet, while maintaining employment of Australian actors; Equity was estimated to have 2000 artists at this time. In September 1946, ventriloquist Eric Valentine's doll 'Monty' was signed up as an honorary member of Equity. In 1948, Equity sought to promote theatrical schools, with organisational membership eventually to require a degree from a school. The organisation was renamed and reverted to the '''Actors' Equity of Australia''' name in 1983. It ceased to exist in 1993, when it merged with the
Australian Theatrical and Amusement Employees' Association and the
Australian Journalists' Association to form the
Media, Entertainment and Arts Alliance. == Victorian communist inquiry (1949) ==