Besides her sculptures, Eyetoaq also created drawings, prints, wool duffels, and felt wall hangings. She began carving in the 1970s and became one of Baker Lake's most respected female artists.
Soapstone sculptures Eyetoaq drew inspiration from her family's
traditional Inuit background, especially the
hunting and trapping aspects of her culture. Her carvings are primarily of human figures, but she also did work representing animals such as bears, fish, or birds. Often her work more specifically represents women, or mothers with children.
Collections •
Amon Carter Museum of American Art • Clifford E. Lee Collection, University of Alberta: Edmonton •
Musee des beaux-arts de Montreal • Museum of Anthropology, University of British Columbia: Vancouver
Publications Ada Eyetoaq: Recent Sculpture/Sculpture Récente, 1979 Canadian Arctic Producers Cooperative Ltd. == References ==