Having released music as
Y'all is Fantasy Island since 2005 as a solo project, Stafford added various members to augment his
alternative folk sound. After independently releasing four albums –
In Faceless Towns Forever (2006),
Rescue Weekend,
No Ceremony and
Infanticidal Genuflector (all in 2008) – the group announced that they would be splitting up in March 2010. Stafford has released a number of solo albums including
Awnings (2009),
Miniature Porcelain Horse Emporium (2010) and mini album
Music in the Mirabel (2010) which is a collection of covers and re-workings with tracks ranging from
Daniel Johnston to Austrian Poet
Georg Trakl. On these releases, Stafford experiments with vocal looping and textural soundscapes. He was quoted as saying "I'd been experimenting with looping and layering vocals before – inspired, primarily, by
Steve Reich's vocal arrangements on Music For 18 Musicians and Edinburgh artist Wounded Knee". In August 2011, Stafford issued the album,
Build a Harbour Immediately which was produced by
Paul Savage in Chem19 Studios in Hamilton. The LP was released to great acclaim in Scotland and made many end-of-year polls within the online blogging community. The album blended what Stafford had been experimenting with thus far: atmospheric acoustic folk and a capela experimentalism with an unusual sway for melodic, hook-laden pop choruses. In April 2012, Stafford issued a split 7-inch single with
Phantom Band singer
Rick Redbeard entitled "Now We're Dancing" / "Vanishing Tanks" on Gerry Loves Records and, in August, he produced (as well as contributing to) an EP cassette with the Falkirk outfit, Sweethearts of The Prison Rodeo, entitled "Welcome" / "Vessels Shifted". Stafford's side consisted of four minimal guitar instrumentals written for film. In 2013, Stafford announced that he was releasing his new LP
Imaginary Walls Collapse via
Song, by Toad Records and Kingfisher Bluez in North America. The LP was released on 20 July 2013 on 12″ vinyl and download. The set included contributions from Stafford regular (engineer and co-producer) Robbie Lesiuk, Siobhan Wilson, Anna Miles (Maple Leaves), Matt Brennan (Zoey Van Goey) and Ben Hillman (Over The Wall) and displayed a more propulsive, electric sound reflective of Stafford's intense live performances. The album featured heavily on many end-of-year lists in the UK music press/blogs in 2013 (Stafford was listed as number 51 in The List magazine's Hot 100 top cultural practitioners in Scotland). In March 2014,
Imaginary Walls Collapse was long-listed for a Scottish Album of The Year Award, hosted by the Scottish Music Industry Association. Stafford also composed and performed original music for Alan Bissett's one-man show,
What The Falkirk, which was commissioned by Falkirk Community Trust as part of their Creative Place Awards grant. The show took a humorous and bitter-sweet look at Falkirk history and life and toured the Greater Falkirk area in June 2015. The shows received positive reviews from the press, with Joyce McMillan in a review for
The Scotsman, noting that Stafford's music was "Powerful". In March 2016, Edinburgh record label Song, by Toad issued Stafford's sixth solo album,
Taser Revelations, on CD, white 12-inch vinyl and download. The album was recorded in the label's newly acquired warehouse space, The Happiness Hotel in
Leith,
Edinburgh, over four days in July 2014 and two days in October 2014. It was produced and engineered by regular collaborator Robbie Lesiuk, who used the warehouse's natural reverb in the large room, and also played a plethora of instruments including steel drums, bass, organ and
mellotron. Other collaborators included Greggor Douglas who improvised synthesizer parts on a vintage Roland Juno and
Omnichord and Anna Miles who provided vocal harmonies on three tracks. The album was completed at the end of 2014 but was postponed during the following year due to commitments with family and other projects. The album was released to almost unanimous acclaim from the online and print music press.
Clash magazine commented, "(Stafford is) A songwriter of real depth, rich in understanding, in melodic virtuosity, his work has gradually built up into an imposing, heroic catalogue". Gigsoup wrote in their 4.5/5 review, "Scotland's gifted musician and lyrical genius does well to keep you engaged throughout the entire album. Each song is so distinct, all with the classic Stafford strong loops that demand your attention without overpowering the song itself". While Alan Morrison writing for
The National noted, "Yet again, Adam Stafford has created one of the best albums of the year". In 2017, Stafford issued a collection of photography as a dual photobook and album entitled
Reverse Drift. The photobook was a selection of mainly landscape and abstract photos that Stafford had been taking since 1999. The musical element was a download of a single 40-minute track improvised in one single take that incorporated a cappella ambience, sampled drums and clarinet and synthesizers. In October 2017, Stafford and Lesiuk began work on another musical project that was to become the album
Fire Behind the Curtain. Released on 4 May 2018 via Song by Toad Records, the largely instrumental, classically leaning set was met with perhaps the greatest acclaim of Stafford's career. Working with The Pumpkinseeds and Modern Studies cellist and arranger Pete Harvey and a nine-piece choir, the album referenced Stafford's struggles with depression that had plagued him since youth. The record was issued on double-disc 12-inch gatefold vinyl and received ecstatic reviews from critics: in a 9/10 review,
God is in The TV said the LP "may stand as perhaps the most stunning piece of art to have been released so far on Song by Toad”; a 5/5 review
The Skinny magazine called the album “a rich and haunting record of intelligence, beauty, depth and darkness – it’s a monumental piece of work”. Elsewhere
The Scotsman 's 4/5 review noted that "it's worth surrendering to its shifting soundscapes" and
BBC Radio 6 Music's
Nemone on Electric Ladyland stated FBTC was “An absolute triumph of an album”. In 2019 Stafford issued the experimental lo-fi LP `The Acid Bothy' on bi-coloured red/yellow tape with hand-printed sleeve/insert on a limited run of fifty. The LP set was a collection of mainly improvised pieces on synthesizer. During the next two years of Covid lockdown restrictions Stafford was at his most prolific, recording and releasing three albums and one EP between 2020/21. The first being the home-recorded, stark and intimate set `Diamonds of a Horse Famine' (2020) which saw Stafford return to a book of unfinished songs and compositions from years previously. The album mostly resembled Y'all is Fantasy Island's `Rescue Weekend' (2008), which saw Stafford write desolate blues-inspired songs written from mostly characters' perspectives and touched on themes of addiction, mental health, loneliness and childhood neglect. In a 9/10 review for Clash, Nick Roseblade writes: "What ‘Diamond Of A Horse Famine’ shows is that Stafford is back to his best, but he isn’t recreating his previous albums for the sake of it. Nothing Stafford does it for the sake of it. His guitar work is exquisite... The solo on ‘Salve’ might be his finest to date. However, the songs are equally as compelling." After the four-track EP `Music For Reface CP' in December 2020, which showcased Stafford's new-found love for the titular electric piano, label Song by Toad again issued another LP entitled `Trophic Asynchrony' in 2021. Recorded once again with Lesiuk during a week of lockdown easing in Summer 2020, the record was loosely based on the concept of the current climate crises and contained mainly compositional instrumentals that utilised piano, clarinet, synthesizer and drone elements. In his 8.4/10 review for Backseat Mafia, Chris Sawle wrote: "So different from his previous two albums, which illustrates his far-reaching talent, Trophic Asynchrony is circular, ever-mutating, expressive, shows rather than tells in the warp and weft of a sound palette which has its roots in the recherché traditions of Moondog,
Terry Riley, Masoyoshi Fujita et al, rather than the waters of folk; an octet of tracks to soundtrack the societal confusion and informational overload of political chaos, plague and ecological precarity." In 2022 Stafford released a Bandcamp-only collection of electronic/house/ambient tracks that had been improvised and recorded onto mobile phones during the Lockdown of 2020 entitled `Improvised House Arrests'. In 2023 a new nine-minute circular piano composition `Large Print Western' was also released on
Bandcamp. ==Film==