Adbusters

Adbusters was founded in 1989 by Kalle Lasn and Bill Schmalz, a duo of award-winning documentary filmmakers living in Vancouver. Since the early 1980s, Lasn had been making films that explored the spiritual and cultural lessons the West could learn from the Japanese experience with capitalism. In 1988, the British Columbia Council of Forest Industries, the "voice" of the logging industry, was facing tremendous public pressure from a growing environmentalist movement. The logging industry fought back with a television ad campaign called "Forests Forever." It was an early example of greenwashing: shots of happy children, workers and animals with a kindly, trustworthy sounding narrator who assured the public that the logging industry was protecting the forest. Lasn and Shmalz, outraged by the use of the public airwaves to deliver what they felt was deceptive anti-environmentalist propaganda, responded by producing the "Talking Rainforest" anti-ad in which an old-growth tree explains to a sapling that "a tree farm is not a forest." But the duo proved to be unable to buy airtime on the same stations that had aired the forest-industry ad. According to a former Adbusters employee, "The CBC's reaction to the proposed television commercial created the real flash point for the Media Foundation. It seemed that Lasn and Schmaltz's commercial was too controversial to air on the CBC. An environmental message that challenged the large forestry companies was considered 'advocacy advertising' and was disallowed, even though the 'informational' messages that glorified clearcutting were OK." The foundation was born out of their belief that citizens do not have the same access to the information flows as corporations. One of the foundation's key campaigns continues to be the Media Carta, a "movement to enshrine The Right to Communicate in the constitutions of all free nations, and in the Universal Declaration of Human Rights." The foundation notes that concern over the flow of information goes beyond the desire to protect democratic transparency, freedom of speech or the public's access to the airwaves. Although it supports these causes, the foundation instead situates the battle of the mind at the center of its political agenda. Fighting to counter pro-consumerist advertising is done not as a means to an end, but as the end in itself. This shift in emphasis is a crucial element of mental environmentalism. ==Mental environmentalism==

The subtitle of Adbusters magazine is "The Journal of the Mental Environment." In a 1996 interview, Kalle Lasn explained the foundation's goal: What we're trying to do is pioneer a new form of social activism using all the power of the mass media to sell ideas, rather than products. We're motivated by a kind of 'greenthink' that comes from the environmental movement and isn't mired in the old ideology of the left and right. Instead, we take the environmental ethic into the mental ethic, trying to clean up the toxic areas of our minds. You can't recycle and be a good environmental citizen, then watch four hours of television and get consumption messages pumped at you. ==Issues==

Anti-advertising Adbusters describes itself as anti-advertising: it blames advertising for playing a central role in creating and maintaining consumer culture. This argument is based on the premise that the advertising industry goes to great effort and expense to associate desire and identity with commodities. Adbusters believes that advertising has unjustly "colonized" public, discursive and psychic spaces, by appearing in movies, sports and even schools, so as to permeate modern culture. Since Adbusters concludes that advertising conditions people to look to external sources, to define their own personal identities, the magazine advocates a "natural and authentic self apart from the consumer society". Activism also takes many other forms such as corporate boycotts and 'art as protest', often incorporating humor. This includes billboard modifications, google bombing, flash mobs and fake parking tickets for SUVs. A popular example of cultural jamming is the distortion of Tiger Woods' smile into the form of the Nike swoosh, calling viewers to question how they view Woods' persona as a product. Adbusters calls it "trickle up" activism, and encourages its readers to do these activities by honoring culture jamming work in the magazine. In the September/October 2001 "Graphic Anarchy" issue, Adbusters were culture jammed themselves in a manner of speaking: they hailed the work of Swiss graphic designer Ernst Bettler as "one of the greatest design interventions on record", unaware that Bettler's story was an elaborate hoax. Media Carta "Media Carta" is a charter challenging the corporate control of the public airwaves and means of communication. The goal is to "make the public airwaves truly public, and not just a corporate domain." Adbusters believes the public deserves a right to be presented with viewpoints that differ from the standard. Under Section 3 of the Broadcasting Act, television is a public space allowing ordinary citizens to possess the same rights as advertising agencies and corporations to purchase 30 seconds of airtime from major broadcasters. There has been talk that if Adbusters wins in Canadian court, they will file similar lawsuits against major U.S. broadcasters that also refused the advertisements. CNN is the only network that has allowed several of the foundation's commercials to run. Legal action On 3 April 2009, the British Columbia Court of Appeal unanimously overturned a BC Supreme Court ruling that had dismissed the case in February 2008. The court granted Adbusters the ability to sue the Canadian Broadcasting Company and CanWest Global, the corporations that originally refused to air the anti-car ad "Autosaurus". The ruling represents a victory for Adbusters, but it is the first step of their intended goal, essentially opening the door for future legal action against the media conglomerates. Kalle Lasn declared the ruling a success and said, "After twenty years of legal struggle, the courts have finally given us permission to take on the media corporations and hold them up to public scrutiny." ==Campaigns==

Culture jamming Culture jamming is the primary means through which Adbusters challenges consumerism. The magazine was described by Joseph Heath and Andrew Potter in their book The Rebel Sell as "the flagship publication of the culture jamming movement." Culture jamming is heavily influenced by the Situationist International and the tactic of détournement. The goal is to interrupt the normal consumerist experience in order to reveal the underlying ideology of an advertisement, media message, or consumer artifact. Adbusters believe large corporations control mainstream media and the flow of information, and culture jamming aims to challenge this as a form of protest. The term "jam" contains more than one meaning, including improvising, by re-situating an image or idea already in existence, and interrupting, by attempting to stop the workings of a machine. As already noted, the foundation's approach to culture jamming has its roots in the activities of the situationists and in particular their concept of détournement. This involves the "turning around" of received messages so that they communicate meanings at variance with their original intention. Situationists argue that consumerism creates "a limitless artificiality", blurring the lines of reality and detracting from the essence of human experience. The foundation is particularly well known for its culture jamming campaigns, and the magazine often features photographs of politically motivated billboard or advertisement vandalism sent in by readers. The campaigns attempt to remove people from the "isolated reality of consumer comforts". in other words, unencumbered by private trademarks. Attached to each pair was a "Rethink the Cool" leaflet, inviting wearers to join a movement, and two spots – one for drawing their own logos and another on the toe for "kicking corporate ass." There are three versions of the Blackspot Sneaker. The V1 is designed to resemble the Nike-owned Converse Chuck Taylor All-Stars (Nike bought Converse in 2003). There is also a V1 in "fiery red." The V2 is designed by Canadian shoe designer John Fluevog. It is made from organic hemp and recycled car tires. After an extensive search for anti-sweatshop manufacturers around the world, Adbusters found a small union shop in Portugal. The sale of more than twenty-five thousand pairs through an alternative distribution network is an example of Western consumer activism marketing. Occupy Wall Street In mid-2011, Adbusters Foundation proposed a peaceful occupation of Wall Street to protest corporate influence on democracy, a growing disparity in wealth, and the absence of legal repercussions in the 2008 financial crisis. They sought to combine the symbolic location of the 2011 protests in Tahrir Square with the consensus decision making of the 2011 Spanish protests. Adbusters' senior editor Micah White said they had suggested the protest via their email list and it "was spontaneously taken up by all the people of the world." They promoted the protest with a poster featuring a dancer atop Wall Street's iconic Charging Bull. On 13 July 2011 it was the staff at the magazine that created the #OCCUPYWALLSTREET hashtag on Twitter. While the movement was started by Adbusters, the group does not control the movement, and it has since grown worldwide. ==Criticisms==

Criminal Mischief The foundation has been criticized for solicitating dangerous criminal mischief by escalating their methods to deflate "SUV tires in an effort to fight climate change." ===Commercial style=== The foundation has been criticized for having a style and form that are too similar to the media and commercial product that Adbusters attack, that its high gloss design makes the magazine too expensive, and that a style over substance approach is used to mask sub-par content. Heath and Potter posit that the more alternative or subversive the foundation feels, the more appealing the Blackspot sneaker will become to the mainstream market. They believe consumers seek exclusivity and social distinction and have argued that the mainstream market seeks the very same brand of individuality that the foundation promotes; thus they see the foundation as promoting capitalist values. In one case, a CHUM representative is quoted as saying the ads "were so blatantly against television and that is our entire core business. You know we can't be selling our airtime and then telling people to turn their TVs off." In October 2010, Shopper's Drug Mart pulled Adbusters off of its shelves after a photo montage comparing the Gaza Strip to the Warsaw ghetto was featured in an article criticizing Israel's embargo of Gaza. The Canadian Jewish Congress campaigned to have the magazine blacklisted from bookstores, accusing Adbusters of trivializing the Holocaust and of antisemitism. In response, Adbusters argued that the charge of antisemitism was being used to silence what it considered legitimate criticism of Israeli policies. Ineffective activism Some critics claim that culture jamming does little to incite real difference. Others declare the movement an easy way for upper- and middle-class citizens to feel empowered by engaging in activism that bears no personal cost, such as the campaign "Buy Nothing Day". These critics express a need for "resistance against the causes of capitalist exploitation, not its symptoms". ==Awards==

In 1999, Adbusters won the award for National Magazine of the Year in Canada. ==See also==