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Adela Maddison

Katharine Mary Adela Maddison, née Tindal, usually known as Adela Maddison, was a British composer of operas, ballets, instrumental music and songs. She was also a concert producer. She composed a number of French songs in the style of mélodies; for some years she lived in Paris, where she was a pupil, friend and possibly lover of Gabriel Fauré. Subsequently, living in Berlin, she composed a German opera which was staged in Leipzig. On returning to England she created works for Rutland Boughton's Glastonbury Festivals.

Biography
Early life and marriage She was born at 42 York Terrace, Regent's Park, London on 15 December 1862 (rather than in 1866 as is sometimes stated), (1811–76) On 4 October 1882 at Marylebone parish church, she married barrister and former footballer Frederick Brunning Maddison (1849–1907); the ceremony was repeated on 14 April 1883 at Christ Church, Lancaster Gate, London, where her status as a minor was correctly recorded. Maddison and her husband were prominent figures in the London music scene starting around 1890, alongside patrons such as Mabel Batten and Frank Schuster. From around 1894, Maddison and her husband played a major part in encouraging and facilitating Gabriel Fauré's entry onto the London musical scene. was a success. She continued to compose opera and songs, and to produce concerts, into the 1920s. From the early 1920s, Martha Mundt lived in Geneva, having joined the secretariat of the International Labour Organization (ILO) as an information officer on the strength of the recommendation of leading German socialist Eduard Bernstein to the ILO director, Albert Thomas. Mundt became the ILO's officer dealing with employment issues for women and children, and the ILO's liaison with feminist organisations. She represented the ILO at a number of international congresses around Europe. Maddison often travelled to Geneva to visit Mundt there. Death and legacy Maddison died in Ealing, London in 1929, after a long illness. Later in 1929, the Guild of Singers and Players held a memorial concert which marked the initiation of an Adela Maddison memorial fund. The scores for the compositions she created during her stays in Paris and Berlin, and for the music she created for the Glastonbury Festivals, seem to have been lost. ==Works==
Works
Selected works include: OperasDer Talisman (1910) • Ippolita in the Hills (1926) BalletsThe Children of Lir (1920) Chamber music • Piano quintet (1916) VocalDeux Mélodies (1893), text by Sully Prudhomme and CoppéeTwelve Songs (1895), text by Rossetti, Shelley, Swinburne, Tennyson and others • Cinq mélodies sur des poèms d’Edmond Haraucourt (1904) • Little Fishes silver (1915), text translated from Bierbaum by Maddison • Mary at Play (1915), text translated from Bruch by Maddison • The Ballade of Fair Agneta (1915), text translated from Miegel by Maddison • Lament of the caged Lark (1924), text by L. N. Duddington • Tears (1924), text translated from Wang Sen-Ju by Cranmer-Byng • The Heart of the Wood (1924), text translated from anonymous Irish poem by Augusta, Lady GregoryThe Poet complains (1924), text translated from anonymous Irish poem by Augusta, Lady Gregory ==References==
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