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Stella Adler

Stella Adler was an American actress and acting teacher.

Early life
Stella Adler was born in Manhattan's Lower East Side in New York City. She was the youngest daughter of Sara and Jacob P. Adler, == Career ==
Career
Adler began her acting career at the age of four in the play Broken Hearts at the Grand Street Theatre on the Lower East Side, as a part of her parents' Independent Yiddish Art Company. She grew up acting alongside her parents, often playing roles of boys and girls. Her work schedule allowed little time for schooling, but when possible, she studied at public schools and New York University. She made her London debut, at the age of 18, as Naomi in Elisa Ben Avia with her father's company, in which she appeared for a year before returning to New York. In London, she met her first husband, Englishman Horace Eliashcheff; their brief marriage, however, ended in a divorce. Adler made her English-language debut on Broadway in 1922 as the Butterfly in The World We Live In, and she spent a season in the vaudeville circuit. In 1922–23, the renowned Russian actor-director Konstantin Stanislavski made his only U.S. tour with his Moscow Art Theatre. Adler and many others saw these performances, which had a powerful and lasting impact on her career and the 20th-century American theatre. In 1982, the day Strasberg died, Adler is said to have remarked, "It will take the theatre decades to recover from the damage that Lee Strasberg inflicted on American actors." In January 1937, Adler moved to Hollywood. There, she acted in films for six years under the name Stella Ardler, occasionally returning to the Group Theater until it dissolved in 1941. Eventually, she returned to New York to act, direct, and teach, the latter first at Erwin Piscator's Dramatic Workshop at the New School for Social Research, New York City, before founding Stella Adler Conservatory of Theatre in 1949. In the following years, she taught Marlon Brando, Steve McQueen, Dolores del Río, Robert De Niro, Elaine Stritch, Martin Sheen, Manu Tupou, Harvey Keitel, Melanie Griffith, Peter Bogdanovich, Benicio del Toro, and Warren Beatty, among others, the principles of characterization and script analysis. She also taught at the New School, and the Yale School of Drama. For many years, Adler led the undergraduate drama department at New York University, and became one of America's leading acting teachers. :—Marlon Brando In 1988, she published The Technique of Acting with a foreword by Marlon Brando. She appeared in only three films: Love on Toast (1937), Shadow of the Thin Man (1941), and My Girl Tisa (1948). She concluded her acting career in 1961, after 55 years. During that time, and for years after, she became a renowned acting teacher. == Stanislavski and the method ==
Stanislavski and the method
Adler was the only member of the Group Theatre to study with Konstantin Stanislavski. She was a prominent member of the Group Theatre, but differences with Lee Strasberg over Stanislavski's system (later developed by Strasberg into method acting) made her leave the group. On another occasion, Ian relates, Adler forcibly ripped a dress off another actress's body to get the actress to play a scene a different way. == Personal life and death ==
Personal life and death
Adler was related to Jerry Adler, an actor and theatre director. Adler married three times: first to Horace Eliascheff—the father of her only child, Ellen—from 1923 to 1930; then from 1942 until 1959 to director and critic Harold Clurman, one of the founders of the Group Theatre. She was finally married to physicist and novelist Mitchell A. Wilson, from 1966 until his death in 1973. From 1938 to 1946, she was sister-in-law to actress Sylvia Sidney. Sidney was married to Luther Adler at the time and provided Stella with a nephew. Even after Sidney and Luther divorced, she and Sylvia remained close friends. On December 21, 1992, Adler died from heart failure at the age of 91 in Los Angeles. == Legacy ==
Legacy
Adler's technique, based on a balanced and pragmatic combination of imagination and memory, is hugely credited with introducing the subtle and insightful details and a deep physical embodiment of a character. In 1991, Stella Adler was inducted into the American Theater Hall of Fame. In 2004, the Harry Ransom Center at the University of Texas at Austin acquired Adler's complete archive along with a small collection of her papers from her former husband Harold Clurman. The collection includes correspondence, manuscripts, typescripts, lecture notes, photographs, and other materials. Over 1,100 audio and video recordings of Adler teaching from the 1960s to the 1980s have been digitized by the center and are accessible on site. The archive traces her career from her start in the New York Yiddish Theater District to her encounters with Stanislavski and the Group Theatre to her lectures at the Stella Adler Studio of Acting. In 2006, she was honored with a posthumous star on the Hollywood Walk of Fame in front of the Stella Adler Theatre at 6773 Hollywood Boulevard. Adler is a character in Names, Mark Kemble's play about former Group Theatre members' struggles with the House Un-American Activities Committee. Kemble consulted her about characterizations for the play and she told him to "just make it up". == Stella Adler schools ==
Stella Adler schools
Irene Gilbert, a longtime protégée and friend, ran the Stella Adler Studio of Acting in Los Angeles until her death. The Stella Adler Studio of Acting in New York opened a new studio in Los Angeles named the Art of Acting Studio in 2010 and is run by the Adler family. == Career on Broadway ==
Career on Broadway
All works are the original Broadway productions unless otherwise noted. • The Straw Hat (1926) • Big Lake (1927) • The House of Connelly (1931) • 1931 (1931) • Night Over Taos (1932) • Success Story (1932) • Big Night (1933) • Hilda Cassidy (1933) • Gentlewoman (1934) • Gold Eagle Guy (1934) • Awake and Sing! (1935) • Paradise Lost (1935) • Sons and Soldiers (1943) • Pretty Little Parlor (1944) • He Who Gets Slappedrevival (1946) • Manhattan Nocturne (1943) • Sunday Breakfast (1952) == Works ==
Works
The Fervent Years: The Group Theatre and the Thirties, By Harold Clurman, new introduction by Stella Adler. Da Capo Press, 1983. . • The Technique of Acting, by Stella Adler. Bantam Books, 1988. . • Creating a Character: A Physical Approach to Acting, by Moni Yakim, Muriel Broadman, Stella Adler. Applause Books, 1993. . • Stella Adler: The Art of Acting, by Stella Adler, Howard Kissel, Applause Books, 2000. . • Stella Adler on Ibsen, Strindberg, and Chekhov, by Stella Adler, Barry Paris. Random House Inc, 2001. . • ''Stella Adler on America's Master Playwrights: Eugene O'Neill, Thornton Wilder, Clifford Odets, William Saroyan, Tennessee Williams, William Inge, Arthur Miller, Edward Albee'', by Stella Adler, Barry Paris (editor). Knopf Doubleday Publishing Group 2012. . == See also ==
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