Airtight's Revenge

Bilal worked on the album intermittently for approximately three years, with the singer saying he began creating its music "around 2008". While touring in response to the popularity of Love for Sale, his controversially shelved but leaked album, Bilal began composing new music on his computer using the digital audio workstation GarageBand. Recalling the process, he says, "It sort of starts on the piano and then I go to the Garage Band and make, like, a little sketch of something I can sing to and then go from there. It allows me play around with the shape of the song more." The songs were variously written in New York, Los Angeles, Philadelphia, and Amsterdam. When writing the lyrics, Bilal says he wanted to approach expressing free thought in different ways (shown in 2005) played guitar on several songs After hearing some of Bilal's GarageBand compositions, his touring drummer persuaded him to record one of the songs at the former's studio. By doing so, Bilal felt inspired to record further. Recording with a smaller budget than previously for Interscope, he found that "you don't need to be in a gigantic studio, you just need to be in a good room with acoustics and be creative with how you mic things or use things." Bilal collaborated with producers Shafiq Husayn, Nottz, 88-Keys, and, most prominently, Steve McKie. In an interview soon after the album's release in late 2010, Bilal said that he and McKie "put the finishing touches and tightened everything up over the last year". == Music and lyrics ==

''Airtight's Revenge'' has been described as a mix of soul, rock, jazz, blues, and electronic styles. Referencing Bilal's intention to create music that would challenge a computer, Pitchfork writer Marcus J. Moore says it explains the music's "iconoclastic nature" and how it "largely eschewed Bilal's earlier throwback aesthetic for a denser electronic sound". Prefixmag.coms Andrew Martin says it "owes more to contemporary album-oriented indie rock than pop, R&B or hip-hop", while Michael Hewlett from the Winston-Salem Journal calls it "sped-up rock and jazz". In the opinion of HipHopDX journalist Luke Gibson, "the production is to [sic] experimental to be called Neo Soul, to [sic] funky to be called Acid Jazz, and to [sic] free-form to be Funk". Lyrically, the album explores a wider range of subjects than Bilal's previous albums, including love, spirituality, politics, economics, and religion. Evan Rytlewski of The A.V. Club later named it among "a line of revelatory, late-period neo-soul albums", including Maxwell's ''BLACKsummers'night'' (2009), Erykah Badu's New Amerykah Part Two (Return of the Ankh) (2010), and Frank Ocean's Channel Orange (2012). According to David Dacks of Exclaim!, "every second screams personal statement, from the weighty, heartfelt lyrics to Bilal's anguished, soulful vocals. There are no throwaway skits or breezy in-da-club jams; it's 100 percent pure soul. " The track "Little One" is based on Bilal's relationship with his then-nine-year-old son, who is autistic. "The Dollar" features oddly-timed percussion, subdued guitar and keys, strings, bluesy horns, and lyrical themes concerning poverty and the pitfalls of capitalism. == Title and packaging ==

In an interview for The Root, Bilal elaborated on the album title's meaning, stating: The album's cover art is a reference to the iconic photo of Malcolm X peering through his window while holding a M1 carbine rifle. Instead of a rifle, Bilal is holding a microphone, and instead of peering through his bedroom curtain, Bilal is peering through a heavy red stage curtain. In an interview with Parlour Magazine, Bilal elaborated on the message behind the album's cover art, stating: == Marketing and sales ==

The album was released by Plug Research, an independent label based in Los Angeles. In the US, it debuted at number 101 on the Billboard 200 chart, with first-week sales of 4,600 copies. It peaked at number 21 on Billboards Top R&B/Hip-Hop Albums and at number 23 on its Independent Albums chart. ''Airtight's Revenge'' has sold 4,800 copies in the United States. == Critical reception ==

''Airtight's Revenge'' was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the album received an average score of 87, based on nine reviews. Reviewing for AllMusic, Andy Kellman called ''Airtight's Revenge "one heavy, messy, dynamite album — one that could take a decade to be fully processed". Tyler Lewis of PopMatters cited the album as "a generation-defining masterwork of unflinching vision" and wrote that it is "all about texture and musicality. Songs more than shout or intimate their ideas, they envelop you fully, so you feel the full weight of what it is Bilal is talking about". Los Angeles Times journalist Jeff Weiss noted its "formless floating funk" and praised Bilal as "ludicrously soulful and endearingly experimental", calling the album "a soothing anodyne to the often over-processed come-ons that pass for contemporary R&B". The Philadelphia Inquirers A.D. Amorosi stated, "Bilal - the vocalist - opens the valves and bleats, glides, coos, and cajoles like Coltrane at his freest". The A.V. Club''s Nathan Rabin perceived a "brooding, airless intensity" and praised its "claustrophobic introspection and soul-searching". Sputnikmusic's Nick Butler said that, "musically, there are dozens of neo-soul records in the past three or four years that reach far beyond the limits of most of ''Airtight's Revenge [...] but nobody is writing or delivering lyrics like this. Emotionally, [it] is so revealing that it gets difficult to listen to". In a year-end article on overlooked albums in 2010, Edna Gundersen of USA Today described Airtight's Revenge'' a "buried jewel that really deserved a wider audience", commenting that "It's personal, idiosyncratic, complex, dense, sophisticated and messy, a thoroughly contemporary soul record with a defiant indie-rock sensibility, which is why it never found a home on radio". Some reviewers were less enthusiastic. Mikael Wood of Time Out found the album overlong, particularly the second half, which he said "bogs down with an abundance of noodly slow jams. But the strong stuff here is very strong". URBs Anupamistry wrote that it lacks "the cut-loose, flailing vocal work" of Bilal's previous work, but ultimately complimented its "more progressive, less structured, arranging". Apart from a few overdone "rock guitar histrionics", Dacks wrote in his review for Exclaim! that the album "has something for everyone who appreciates the entire spectrum of soul". ==Track listing==

Musicians • Bilal Oliver – vocals, keyboards (tracks: 1, 4, 5, 10), synthesizer (2, 3), piano (2, 5), organ (3, 9, 10), human beat box (3), synthesizer bass (7), horn/string arrangements (9, 11) • Masayuki Hirano – Moog electric piano (1), keyboards (2, 8), Moog and synthesizer (4, 5) • Junius Bervine – synthesizer and Fender Rhodes electric piano (1) • Robert Glasper – piano (7), Fender Rhodes (9) • Mike Severson – guitar, electric guitar (1, 5, 7, 8, 10, 11) • Chuck Treece – electric guitar (2, 3, 8, 9), effects (3, 8) • Ben "Bananas" O'Neil – lead guitar (2), acoustic guitar (10) • Tom Spiker – electric guitar (3) • Freddie Mac – acoustic and electric guitar, bass (4) • Derrick Hodge – electric bass (1) • Conley "Tone" Whitfield – electric bass (2, 3, 6, 8, 10), guitar (6, 10), piano and drums (6) • Stephen Bruner – electric bass (5, 11) • Steve McKie – drums (1–3, 5, 7–10), drum programming (3, 7–9) • Nottz – drum programming (4) • KenBts. – modular synthesizer and drum programming (5) • Shafiq Husayn – drum programming (5) • Miguel Atwood-Ferguson – synthesizer strings and string arrangements (5, 11) • Horns on tracks 9 and 10 :* Lamont Caldwell – saxophone :* Leon Jordan, Jr. – trumpet :* Jermaine Bryson – trombone :* Damon Bryson – tuba Production • Bilal Oliver – producer (1–5, 7–10) • Steve McKie – producer (1–3, 7–10), engineer (1–3, 5–11) • Nottz – engineer and producer (4) • Frederick G. McIntosh – co-producer (4) • Darryl Sloan – engineer (4) • Shafiq Husayn – producer (5) • KenBts. – engineer and co-producer (5) • Conley "Tone" Whitfield – engineer and producer (6) • Dan Raaf – engineer (8) • 88-Keys – producer (11) • Jason Goldstein – mixing • Arnold Mischkulnig – mastering • Andrew Lojero – executive producer, A&R • Allen Avanessian – executive producer • Hawk Burns – executive producer • Brent Rollins The Design Explosion! – artwork • Eric Coleman – photography == Charts ==