In 1959 Blondel began studying architecture at the
École des Beaux-Arts in Paris, which led him to discover the forgotten work of the Parisian
Art Nouveau architect
Hector Guimard. In 1964, he co-directed a short film about this architect, , which won the
Golden Lion at the 1965
Venice Film Festival in the category of art documentaries.
Luxembourg Gallery In 1967, with his sister Françoise, her friend and future hused in paintings, artists' rugs and furniture from the period 1900–1925. IIn 1968, the gallery moved to
Rue de Tournon in a shared room with , taking the name
galerie du Luxembourg [Luxembourg Gallery] because of its proximity to the Senate, then moved in 1970 or 1971 to 98,
Rue Saint-Denis, in a former banana ripening shed.
Burne-Jones and the influence of the
Pre-Raphaelites in 1972,
Bernard Boutet de Monvel, the sculptor
Rupert Carabin in 1974, the lacquerer
Jean Dunand in 1975, neoclassical painters of the 1930s, in 1976. Some of these works have enriched prestigious collections, such as those of the
Musée d’Orsay and the
Metropolitan Museum of Art. In 1970, he participated in the development of the first Guimard retrospective at the
Museum of Modern Art, which then exhibited at the
Museum of Decorative Arts in Paris.
Alain Blondel Gallery After the disappearance of the Luxembourg gallery in 1978, Blondel opened a gallery under his name with his wife Michèle at 4,
rue Aubry le Boucher, near the
Centre Pompidou. The Alain Blondel gallery continues to organise important retrospectives (
Jean Dupas in 1980,
Pierre Marcel-Béronneau in 1981, in 1985,
Hector Guimard in 1992 and
Federico Beltrán Masses in 2012) but specialised in promoting contemporary figurative art. From the 1980s onwards, the gallery began a lasting collaboration with its artists, whom it supported by participating in numerous contemporary art fairs and publishing exhibition catalogues. In 1999, Alain Blondel published the book
Tamara de Lempicka: a Catalogue Raisonné 1921–1980 on the work of
Tamara de Lempicka. Since then, he has helped to organise several retrospectives of this artist at London's
Royal Academy of Arts in 2004, Milan's
Palazzo Reale in 2006, Mexico City's
Palacio de Bellas Artes in 2009, and Tokyo's Bunkamura in 2010. In 2004, the Alain Blondel gallery left its premises near the Centre Pompidou to move to the
Marais district. At the end of 2014 before retiring, Alain and Michèle Blondel organised their last exposition, ''
Jürg Kreienbühl – Le Muséum d'histoire naturelle [The Natural History Museum]'', one of the first contemporary painters they supported from the 1970s. Jean-Marie Oger – his former collaborator for around ten years – has continued to represent certain artists from the gallery since 2015. ==Artists represented by the Alain Blondel gallery==