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Albert Anker

Albert Anker was a Swiss painter and illustrator who has been called the "national painter" of Switzerland because of his enduringly popular depictions of 19th-century Swiss rural life.

Life
Born in Ins as the son of veterinarian Samuel Anker (then a member of the constituent assembly of the Canton of Bern) and Marianne Elisabeth (born Gatschet). In 1836 his father became veterinarian in Neuchâtel, and the Anker family moved there. He installed a studio in the attic of his parents' house and participated regularly in exhibitions in Switzerland and in Paris. Anker married Anna Rüfli in 1864, and they had six children together; the four children who did not die at an early age – Louise, Marie, Maurice and Cécile – appear in some of Anker's paintings. In 1866, he was awarded a gold medal at the Paris Salon for Schlafendes Mädchen im Walde (1865) und Schreibunterricht (1865); in 1878 he was made a knight of the Légion d'honneur. In 1870–74 he was a member of the Grand Council of Bern, where he advocated the construction of the Kunstmuseum Bern. Apart from his regular wintertime stays in Paris, Anker frequently travelled to Italy and other European countries. In 1889–93 and 1895–98 he was a member of the Swiss Federal Art Commission and in 1900 he received an honorary doctorate from the University of Bern. A stroke in 1901 reduced his ability to work. Only after his death in 1910 was there a first exposition dedicated to him, held at the Musée d'art et d'histoire in Neuchâtel. ==Works==
Works
During his studies, Anker produced a series of works with historical and biblical themes, including paintings of Luther and Calvin. Anker developed a consistent artistic style that he maintained throughout his career. His works reflect themes of everyday Swiss life and have been associated with a sense of calm and an affinity for Swiss democracy, with attention to colouring and lighting noted as characteristic features of his technique. While his subjects are largely parochial, his correspondence suggests an engagement with contemporary European art and events beyond his immediate surroundings. ==Reception==
Reception
Albert Anker's work made him Switzerland's most popular genre painter of the 19th century, and his paintings have continued to enjoy a great popularity due to their general accessibility. == Personal life ==
Personal life
His brother Rudolf and his mother both died in 1847, when Anker was in Neuchâtel. His younger sister Louise died in 1852. == Gallery ==
Gallery
File:Albert Anker - Knabe bei Tisch II (1869).jpg|Boy at Table (Ruedi Anker) by Albert Anker, 1869 File:Albert Anker - Strickendes Mädchen, Kleinkind in der Wiege hütend.jpg|Strickendes Mädchen, Kleinkind in der Wiege hütend, 1884 File:Albert Anker Die Kinderkrippe.jpg|Die Kinderkrippe, 1890 File:Albert Anker Küchenszene.jpg|Küchenszene. 1892. File:Albert Anker - Mädchenbildnis.jpg|(1885) File:Albert Anker - Schulknabe.jpg|1881 File:Albert Anker - Knabenbildnis (02).jpg File:Albert Anker - Verwundeter Soldat.jpg|Probably 1870s File:Das Mädchen mit den Dominosteinen by Albert Anker.jpg|Das Mädchen mit den Dominosteinen File:Fleissig--Appliquée by Albert Anker, 1886.jpg|Fleissig / Appliquée, 1886 File:Girl Knitting - Albert Anker.png File:Albert Anker - Der Dorfschneider.jpg|The Village Tailor, 1894 File:Albert Anker - Böckligumpen (1866).jpg|Böckligumpen, 1866 File:Albert Anker - Die Taufe (1864).jpg|Baptism, 1864 File:Albert Anker - Das Schulexamen.jpg|Das Schulexamen The school exam, 1862 File:Albert Anker - Kinderbegräbnis (1863).jpg|Kinderbegräbnis,1863 File:Anker Die kleine Kartoffelschälerin 1886.jpg|Girl peeling potatoes, 1886, oil on canvas File:Reine Berthe et les fileueses, 1888.jpg|Queen Bertha and the Spinners, 1888 ==References==
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