Fuchs was the son of a master bookbinder born in 1806, working in
Basel, whose father came from Mannheim, where he was a tobacco manufacturer. Fuchs' mother was born in 1834. Albert Fuchs attended gymnasium in Basel. Even at this time, he received musical training, which he deepened from 1876 to 1879 in
Leipzig at the
Conservatorium of Music. His final polish was given by the music theorist
Salomon Jadassohn and the composer and pianist
Carl Reinecke, completing their training with distinction. Reinecke was at that time the director of the Leipzig
Gewandhaus Orchestra. Just three years later, he retired to
Saxony. In Oberlößnitz outside the gates of the residence city
Dresden, he acquired a vineyard for a few years (today known as Haus Steinbach), on which he "realized his compositional plans". At the end of the 1880s, Fuchs acquired the
Conservatory originally founded by Wilhelm Freudenberg and bankrupt under
Otto Taubmann in
Wiesbaden and moved from the
Saxon Nice on the
Elbe to the
Nice of the North on the
Main. Wiesbaden, soon called the
Imperial City, developed at that time following the imperial spa visits into the city with the most millionaire families in Germany. There, he led his own conservatory between 1889 and 1898, "whose reputation he reaffirmed as a universal music educator together with
H. Riemann." Riemann joined him in 1890 from the princely conservatory in
Sondershausen for the next five years, bringing his student
Max Reger with him. With Reger at the harpsichord, Fuchs regularly gave house concerts, in which he tested specimens of his historical instruments, which found their way into his
Collection of Historical Instruments. With the call to the
Royal Conservatory in Dresden in 1898, Fuchs returned to the Elbe. He was appointed there as a teacher for theory and singing and was honored with the title of Royal Professor in 1908. During this Dresden period, Fuchs composed his main works, his
oratorios, which he premiered as conductor of the
Robert Schumann Singakademie. Furthermore, Fuchs acted as a music critic, writing "highly regarded" reviews for the
Dresdener Zeitung. == Legacy ==