Renger-Patzsch was born in
Würzburg and began making photographs by age twelve. After military service in the
First World War he studied
chemistry at the
Königlich-Sächsisches Polytechnikum in
Dresden. In the early 1920s he worked as a press photographer for the
Chicago Tribune before becoming a freelancer and, in 1925, publishing a book,
Das Chorgestühl von Kappenberg (
The Choir Stalls of Cappenberg). He had his first museum exhibition in
Lübeck in 1927. A second book followed in 1928,
Die Welt ist schön (
The World is Beautiful). This, his best-known book, is a collection of one hundred of his photographs in which natural forms, industrial subjects and mass-produced objects are presented with the clarity of
scientific illustrations. The book's title was chosen by his publisher; Renger-Patzsch's preferred title for the collection was
Die Dinge ("The Things"). In its sharply focused and matter-of-fact style, his work exemplifies the esthetic of the New Objectivity that flourished in the arts in Germany during the
Weimar Republic. Like
Edward Weston and
Berenice Abbott in the United States, Renger-Patzsch believed that the value of photography was in its ability to reproduce the texture of reality, and to represent the essence of an object. He wrote: "The secret of a good photograph—which, like a work of art, can have esthetic qualities—is its
realism ... Let us therefore leave art to artists and endeavor to create, with the means peculiar to photography and without borrowing from art, photographs which will last because of their photographic qualities." Among his works of the 1920s are
Echeoeria (1922) and ''Viper's Head'' ( 1925). During the 1930s Renger-Patzsch made photographs for industry and advertising. His archives were destroyed during the
Second World War. In 1944 he moved to
Wamel,
Möhnesee, where he lived the rest of his life. ==Notes==