Note that Opp. 1–23 are all written for piano solo. •
Op. 1,
Variations on the name "Abegg" (1830) •
Op. 2,
Papillons (1829–1831) •
Op. 3, Etudes After
Paganini Caprices (1832) •
Op. 4, Intermezzi (1832) •
Op. 5, Impromptus [on a Theme by
Clara Wieck] (1833) •
Op. 6,
Davidsbündlertänze (1837) •
Op. 7, Toccata in C major (1832) •
Op. 8, Allegro in B minor (1831) •
Op. 9,
Carnaval (1834–1835) •
Op. 10, 6 Concert Studies on Caprices by
Paganini (1833) •
Op. 11,
Piano Sonata No. 1 in F minor (1835) •
Op. 12,
Fantasiestücke, Op. 12 (
Fantasy Pieces) (1837) •
Op. 13,
Symphonic Studies (
Études symphoniques) (1834) •
Op. 14,
Piano Sonata No. 3 in F minor, Concerto Without Orchestra (1835) •
Op. 15,
Kinderszenen (
Scenes From Childhood) (1838) •
Op. 16,
Kreisleriana (1838) •
Op. 17,
Fantasie in C (1836, revised 1839) •
Op. 18,
Arabeske in C (1839) •
Op. 19,
Blumenstück (
Flower Piece) in D (1839) •
Op. 20,
Humoreske in B (1839) •
Op. 21,
Novelletten (
Novelettes) (1838) •
Op. 22,
Piano Sonata No. 2 in G minor (1833–1835) •
Op. 23,
Nachtstücke (
Night Pieces) (1839) •
Op. 24,
Liederkreis (Heine), nine songs (1840) •
Op. 25,
Myrthen, twenty-six songs (4 books) (1840) •
Op. 26,
Faschingsschwank aus Wien (
Carnival Jest from Vienna) (1839), for piano •
Op. 27, Lieder und Gesänge volume I (5 songs) (1840) •
Op. 28, Three Romances (1839) for piano •
Op. 29, 3 Gedichte of E. Geibel (for mixed voices and piano) (1840) •
Op. 30, 3 Gedichte of E. Geibel (1840) •
Op. 31, 3 Gesänge of A. Chamisso (1840) •
Op. 32, 4 Klavierstücke (Scherzo, Gigue, Romance and Fughette) (1838–9) •
Op. 33, 6 Lieder (part songs for men's voices with piano ad lib) (1840) •
Op. 34, 4 Duets (for soprano and tenor, and piano) (1840) •
Op. 35, 12 Gedichte: A Song-Row of J. Kerner (1840) •
Op. 36, 6 Gedichte on Reinick's
Liederbuche eines Malers (1840) •
Op. 37, 12 Gedichte on F. Rückert's
Liebesfrühling (Nos. 2, 4 and 11 are by
Clara Schumann) (1841) •
Op. 38,
Symphony No. 1 in B,
Spring (1841) •
Op. 39,
Liederkreis (Eichendorff), twelve songs (1840) •
Op. 40, 5 Lieder (1840) •
Op. 41, Three
String Quartets in A minor, F and A (1842) •
Op. 42,
Frauenliebe und -leben (Chamisso), eight songs (1840) •
Op. 43, 3 Duets (1840) •
Op. 44,
Piano Quintet in E (1842) •
Op. 45, Romanzen & Balladen volume I (3 songs) (1840) •
Op. 46, Andante and variations for two pianos (1843) (also see WoO 10) •
Op. 47,
Piano Quartet in E (1842) •
Op. 48, Song cycle,
Dichterliebe, sixteen songs from
Heine's
Buch der Lieder (1840) •
Op. 49, Romanzen & Balladen volume II (3 songs) (1840) •
Op. 50,
Das Paradies und die Peri, oratorio (1841–43) •
Op. 51, Lieder und Gesänge volume II (5 songs) (1842) •
Op. 52,
Overture, Scherzo and Finale in E (1841) •
Op. 53, Romanzen & Balladen volume III (3 songs) (1840) •
Op. 54,
Piano Concerto in A minor (1841–45) •
Op. 55, 5 Lieder of R. Burns (for unaccompanied choir) (1846) •
Op. 56,
Studies in the Form of Canons for Organ or Pedal Piano (
Etuden in kanonischer Form für Orgel oder Pedalklavier) (1845) •
Op. 57,
Belsatzar, ballad (Heine) (1840) •
Op. 58,
Sketches for Organ or Pedal Piano (
Skizzen für Orgel oder Pedalklavier) (1845) •
Op. 59, 4 Gesänge (for unaccompanied choir) (1846) •
Op. 60, 6 Fugues on
B–A–C–H for organ or pedal piano (1845) •
Op. 61,
Symphony No. 2 in C (1845–46) •
Op. 62, 3 Lieder (for unaccompanied men's choir) (1847) •
Op. 63,
Piano Trio No. 1 in D minor (1847) •
Op. 64, Romanzen & Balladen volume IV (3 songs) (1841–47) •
Op. 65,
Ritornelle in canonischen Weisen (7 canonic part songs) (1847) •
Op. 66,
Bilder aus Osten (
Pictures from the East), 6 Impromptus for piano 4-hands (1848) •
Op. 67, Romanzen & Balladen volume I (5 songs for unaccompanied chorus) (1849) •
Op. 68,
Album for the Young (
Album für die Jugend) (1848) for piano •
Op. 69, Romanzen volume I (6 songs for female chorus with piano
ad lib) (1849) •
Op. 70, Adagio and Allegro for Horn and Piano (1849) (Schumann directed that the horn part could also be performed on violin or cello) •
Op. 71,
Adventlied for soprano, chorus and orchestra (1848) •
Op. 72, Four Fugues (
Vier Fugen) (1845) for piano •
Op. 73,
Fantasiestücke for Clarinet and Piano (1849) (Schumann directed that the clarinet part could be also performed on violin or cello) •
Op. 74,
Spanisches Liederspiel: A Song-Cycle on Spanish Folksongs and Romances (for solo and mixed SATB voices, and piano) (1849) •
Op. 75, Romanzen & Balladen volume II (5 songs for unaccompanied chorus) (1849) •
Op. 76, Four Marches (
Vier Märsche) (1849) for piano •
Op. 77, Lieder und Gesänge volume III (5 songs) (1841–50) •
Op. 78, 4 duets (soprano and tenor) (1849) •
Op. 79,
Liederalbum für die Jugend (29 songs) (1849) •
Op. 80,
Piano Trio No. 2 in F (1847) •
Op. 81,
Genoveva, opera (1844–1848) •
Op. 82,
Waldszenen (
Forest Scenes) (1848–1849) for piano •
Op. 83, 3 Gesänge (1850) •
Op. 84,
Beim Abschied zu singen for chorus & winds (1848) •
Op. 85,
12 Piano Pieces for Young and Older Children (
12 Klavierstücke für kleine und große Kinder) (piano 4-hands) (1849) •
Op. 86,
Konzertstück for Four Horns and Orchestra (1849) •
Op. 87, Ballad, "
Der Handschuh" (Schiller) (1850) •
Op. 88,
Fantasiestücke for piano trio (1842) •
Op. 89, 6 Gesänge of W. von der Neun (1850) •
Op. 90,
6 Gedichte of N. Lenau and Requiem (1850) •
Op. 91, Romanzen volume II (6 songs for female chorus with piano
ad lib) (1849) •
Op. 92,
Introduction and Allegro Appassionato for Piano and Orchestra (1849) •
Op. 93, Motet: "Verzweifle nicht im Schmerzenstal" (1849 for unaccompanied male double choir, 1850 with organ accompaniment, 1852 with orchestral accompaniment and organ
ad lib) •
Op. 94,
Three Romances for Oboe and Piano (1849) •
Op. 95, 3 Gesänge on
Hebrew Melodies of Lord Byron (1849) •
Op. 96, Lieder und Gesänge volume IV (1850) •
Op. 97,
Symphony No. 3 in E,
Rhenish (1850) •
Op. 98a, Lieder und Gesänge from Goethe's
Wilhelm Meister (1849) •
Op. 98b,
Requiem for Mignon for solo voices, chorus and orchestra (1849) •
Op. 99,
Bunte Blätter (1836–1849) for piano •
Op. 100,
The Bride of Messina overture (1850–51) •
Op. 101,
Minnespiel on F. Rückert's
Liebesfrühling (for solo and mixed SATB voices and piano) (1849) •
Op. 102,
5 Stücke im Volkston for piano and cello (1849) •
Op. 103,
Mädchenlieder of Elisabeth Kulman (for 2 sopranos and piano) (1851) •
Op. 104, 7 Lieder of Elisabeth Kulman (1851) •
Op. 105,
Violin Sonata No. 1 in A minor (1851) •
Op. 106, Declamation with piano, "Schön Hedwig" (1849) •
Op. 107, 6 Gesänge (1851–52) •
Op. 108,
Nachtlied for chorus and orchestra (1849) •
Op. 109, Ball-Scenen (
Scenes from a Ball) (piano 4-hands) (1851) •
Op. 110,
Piano Trio No. 3 in G minor (1851) •
Op. 111,
Three Fantasiestücke (1851) for piano •
Op. 112,
Der Rose Pilgerfahrt: Fairy tale by Moritz Horn (1851) •
Op. 113,
Märchenbilder for piano and viola (1851) •
Op. 114, 3 Lieder (for 3 female voices) (1853) •
Op. 115, Overture and incidental music,
Manfred (1848–49) •
Op. 116,
Der Königssohn (
Uhland), for solos, chorus and orchestra (1851) •
Op. 117, 4 Husarenlieder of N. Lenau (for baritone) (1851) •
Op. 118,
Drei Sonaten für die Jugend (Three Piano Sonatas for the Young) (1853) •
Op. 119, 3 Gedichte from
Die Waldliedern of S. Pfarrius (1851) •
Op. 120,
Symphony No. 4 in D minor (1841; revised in 1851) •
Op. 121,
Violin Sonata No. 2 in D minor (1851) •
Op. 122, Declamation with piano: "Ballade vom Heideknaben" and "Die Flüchtlinge" (1852) •
Op. 123, Festival Overture with song on the Rheinweinlied for orchestra and chorus (1853) •
Op. 124,
Albumblätter (
Album Leaves) (1832–1845) (includes one piece previously part of WoO 31) •
Op. 125, 5 heitere Gesänge (1851) •
Op. 126, Seven Piano Pieces in Fughetta Form (1853) •
Op. 127, 5 Lieder und Gesänge (1850–51) •
Op. 128,
Julius Caesar overture (1851) •
Op. 129,
Cello Concerto in A minor (1850) •
Op. 130, Children's Ball (Kinderball) (piano 4-hands) (1853) •
Op. 131, Fantasy in C for violin and orchestra (1853) •
Op. 132,
Märchenerzählungen, four pieces for clarinet, viola and pianoforte (probably 1853) •
Op. 133,
Songs of Dawn (
Gesänge der Frühe) (1853) for piano •
Op. 134,
Introduction and Concert Allegro for Piano and Orchestra (1853) •
Op. 135,
Gedichte der Königin Maria Stuart: from a collection of Old-English Poems (1852) •
Op. posth. 136,
Hermann und Dorothea overture (1851) •
Op. posth. 137,
Jagdlieder: 5 Songs from H. Laube's
Jagdbrevier (for men's chorus with 4 horns
ad lib) (1849) •
Op. posth. 138,
Spanische Liebeslieder: A Song-Cycle in 2 Parts on Spanish Folksongs and Romances (for solo and mixed SATB voices, and piano 4-hands) (1849) •
Op. posth. 139, "Des Sängers Fluch" (Uhland) for solo voice, chorus and orchestra (1852) •
Op. posth. 140, "Vom Pagen und der Königstochter" for solo voice, chorus, and orchestra (1852) •
Op. posth. 141, 4 doppelchörige Gesänge (partsongs) (1849) •
Op. posth. 142, 4 Gesänge (1852) •
Op. posth. 143, "Das Glück von Edenhall" (Uhland) for solo voice, chorus, and orchestra (1853) •
Op. posth. 144, "
Neujahrslied" for chorus and orchestra (1849–50) •
Op. posth. 145, Romanzen & Balladen Vol. III (5 songs for unaccompanied chorus) (1849–51) •
Op. posth. 146, Romanzen & Balladen Vol. IV (5 songs for unaccompanied chorus) (1849) •
Op. posth. 147,
Missa sacra (1852) •
Op. posth. 148, Requiem (1852) == By WoO ==