Early comics and films In 1957, while Jodorowsky was in Paris studying mime, he created
Les têtes interverties (
The Severed Heads), a 20-minute adaptation of
Thomas Mann's novella. It consisted almost entirely of mime and told the surreal story of a head-swapping merchant who helps a young man find courtship success. Jodorowsky played the lead role. The director
Jean Cocteau admired the film and wrote an introduction for it. It was considered lost until a print of the film was discovered in 2006. In 1966, he produced his first comic strip,
Anibal 5, which was related to the Panic Movement. The following year he created a new feature film,
Fando y Lis, and was subsequently banned in Mexico.
El Topo and The Holy Mountain (1970–1974) In 1970, Jodorowsky released the film
El Topo, which sometimes is known in English as
The Mole, Along the way, he violently confronts a number of other individuals, before finally being killed and being resurrected to live within a community of deformed people who are trapped inside a mountain cave. Describing the work, he stated that "I ask of film what most North Americans ask of psychedelic drugs. The difference being that when one creates a psychedelic film, he need not create a film that shows the visions of a person who has taken a pill; rather, he needs to manufacture the pill." Knowing how
Fando y Lis had caused such a scandal in Mexico, Jodorowsky decided not to release
El Topo there, Around the same time (2 November 1973), Jodorowsky participated in an
isolation tank experiment conducted by
John Lilly. Shortly thereafter, Allen Klein demanded that Jodorowsky create a film adaptation of Pauline Réage's classic novel of female
masochism,
Story of O. Klein had promised this adaptation to various investors. Jodorowsky, who had discovered
feminism during the filming of
The Holy Mountain, refused to make the film, going so far as to leave the country to escape directing duties. In retaliation, Allen Klein made
El Topo and
The Holy Mountain, to which he held the rights, completely unavailable to the public for more than 30 years. Jodorowsky frequently decried Klein's actions in interviews. Soon after the release of
The Holy Mountain, Jodorowsky gave a talk at the Teatro Julio Castillo,
University of Mexico on the subject of koans (despite the fact that he initially had been booked on the condition that his talk would be about cinematography), at which Ejo Takata appeared. After the talk, Takata gave Jodorowsky his
kyosaku, believing that his former student had mastered the art of understanding koans.
Dune and Tusk (1975–1980) In December 1974, a French consortium led by Jean-Paul Gibon purchased the
film rights to
Frank Herbert's epic 1965 science fiction novel
Dune and asked Jodorowsky to direct
a film version. Jodorowsky planned to cast the Surrealist artist
Salvador Dalí, in what would have been his only speaking role as a film actor, in the role of Emperor
Shaddam IV. Dalí agreed when Jodorowsky offered to pay him a fee of $100,000 per hour. He also planned to cast
Orson Welles as Baron
Vladimir Harkonnen; Welles only agreed when Jodorowsky offered to get his favourite gourmet chef to prepare his meals for him throughout the filming. The book's protagonist,
Paul Atreides, was to be played by Jodorowsky's son,
Brontis Jodorowsky, 12 years old at the start of pre-production. The music would be composed by
Pink Floyd and
Magma. Jodorowsky took creative liberties with the source material, but Herbert said that he and Jodorowsky had an amicable relationship. The production for the film collapsed when no film studio could be found willing to fund the movie to Jodorowsky's terms. The aborted production was chronicled in the documentary ''
Jodorowsky's Dune, directed by Frank Pavich. Subsequently, the rights for filming were sold to Dino De Laurentiis, who employed the American filmmaker David Lynch to direct, creating the film Dune in 1984. The documentary does not include any original film footage of what was to be Jodorowsky's Dune
though it states that the unmade film was an influence on other science fiction films, such as Star Wars, Alien, The Terminator, Flash Gordon and Raiders of the Lost Ark''. In particular, the Jodorowsky-assembled team of O'Bannon, Foss, Giger, and Giraud went on to collaborate on the 1979 film
Alien. Later, in January 2023, Frank Pavich, director of the documentary film ''Jodorowsky's Dune
, published an essay in The New York Times related to Jodorowsky's Dune'' (and more) that involved artwork generated by
generative AI. After the collapse of the
Dune project, Jodorowsky completely changed course and, in 1980, premiered his children's fable
Tusk, shot in India. Taken from
Reginald Campbell's novel
Poo Lorn of the Elephants, the film explores the
soul-mate relationship between a young British woman living in India and a highly prized elephant. The film exhibited little of the director's outlandish visual style and was never given wide release.
Santa Sangre and The Rainbow Thief (1981–1990) In 1989, Jodorowsky completed the Mexican-Italian production
Santa Sangre (
Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews.
Santa Sangre was a surrealistic
slasher film with a plot like a mix of
Alfred Hitchcock's
Psycho with
Robert Wiene's
The Hands of Orlac. It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors. He followed in 1990 with a very different film,
The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars"
Peter O'Toole and
Omar Sharif, the executive producer,
Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife,
Berta Domínguez D., wrote the screenplay). That same year (1990), Jodorowsky and his family returned to France to live.
Attempts to return to filmmaking (1990–2011) , Spain (2006) in Paris (2008) In 2000, Jodorowsky won the Jack Smith Lifetime Achievement Award from the
Chicago Underground Film Festival (CUFF). Jodorowsky attended the festival and his films were shown, including
El Topo and
The Holy Mountain, which at the time had grey legal status. According to festival director
Bryan Wendorf, it was an open question of whether CUFF would be allowed to show both films, or whether the police would show up and shut the festival down. Until 2007,
Fando y Lis and
Santa Sangre were the only Jodorowsky works available on DVD. Neither
El Topo nor
The Holy Mountain were available on
videocassette or DVD in the United States or the United Kingdom, due to ownership disputes with distributor
Allen Klein. After settlement of the dispute in 2004, however, plans to re-release Jodorowsky's films were announced by ABKCO Films. On 19 January 2007, it was announced online that
Anchor Bay would release a box set including
El Topo,
The Holy Mountain, and
Fando y Lis on 1 May 2007. A limited edition of the set includes both the
El Topo and
The Holy Mountain soundtracks. And, in early February 2007, Tartan Video announced its 14 May 2007, release date for the UK
PAL DVD editions of
El Topo,
The Holy Mountain, and the six-disc box set which, alongside the aforementioned feature films, includes the two soundtrack CDs, as well as separate DVD editions of Jodorowsky's 1968 debut feature
Fando y Lis (with his 1957 short
La cravate a.k.a.
Les têtes interverties, included as an extra) and the 1994 feature-length documentary
La constellation Jodorowsky. Notably,
Fando y Lis and
La cravate were digitally restored extensively and remastered in London during late 2006, thus providing a suitable complement to the quality restoration work undertaken on
El Topo and
The Holy Mountain in the States by ABKCO, and ensuring that the presentation of
Fando y Lis is a significant improvement over the 2001 Fantoma DVD edition. Prior to the availability of these legitimate releases, only inferior quality, optically censored,
bootleg copies of both
El Topo and
The Holy Mountain have been circulated on the Internet and on DVD. In the 1990s and early 2000s, Jodorowsky attempted to make
a sequel to El Topo, called at different times
The Sons of El Topo and
Abel Cain, but did not find investors for the project. In an interview with
Première, Jodorowsky said he intended his next project to be a gangster film called
King Shot. In an interview with
The Guardian newspaper in November 2009, however, Jodorowsky revealed that he was unable to find the funds to make
King Shot, and instead would be entering preparations on
Sons of El Topo, for which he claimed to have signed a contract with "some Russian producers". In 2010, the Museum of Arts and Design in New York City staged the first American cinema retrospective of Alejandro Jodorowsky entitled
Blood into Gold: The Cinematic Alchemy of Alejandro Jodorowsky. Jodorowsky would attend the retrospective and hold a master class on art as a way of transformation. This retrospective would inspire the museum
MoMA PS1 to present the exhibition
Alejandro Jodorowsky: The Holy Mountain in 2011.
The Dance of Reality and Endless Poetry (2011–present) In August 2011, Alejandro arrived in a town in Chile where he grew up, also the setting of his autobiography
The Dance of Reality, to promote an autobiographical film based upon his book. On 31 October 2011,
Halloween night, the
Museum of Modern Art (New York City) honored Jodorowsky by showing
The Holy Mountain. He attended and spoke about his work and life. The next evening, he presented
El Topo at the Walter Reade Theatre at Lincoln Center. Alejandro has stated that after finishing
The Dance of Reality he was preparing to shoot his long-gestating
El Topo sequel,
Abel Cain. By January 2013, Alejandro finished filming on
The Dance of Reality and entered into post-production. Alejandro's son and co-star in the film, Brontis, claimed the film was to be finished by March 2013, and that the film was "very different than the other films he made". On 23 April, it was announced that the film would have its world premiere at the Film Festival in Cannes. coinciding with
The Dance of Reality premiered alongside the documentary film ''
Jodorowsky's Dune'', which premiered in May 2013 at the
Cannes Film Festival, creating a "Jodorowsky double bill". In 2015, Jodorowsky began a new film entitled
Endless Poetry, the sequel to his last "auto-biopic",
The Dance of Reality. His Paris-based production company, Satori Films, launched two successful
crowdfunding campaigns to finance the film. The Indiegogo campaign has been left open indefinitely, receiving donations from fans and movie-goers in support of the independent production. The film was shot between June and August 2015, in the streets of
Matucana in Santiago, Chile, where Jodorowsky lived for a period in his life. The film portrays his young adulthood in Santiago, years during which he became a core member of the Chilean poetic avant-garde alongside artists such as
Hugo Marín,
Gustavo Becerra,
Enrique Lihn,
Stella Díaz Varín,
Nicanor Parra and others. Jodorowsky's son
Adan Jodorowsky plays him as an adult; and
Brontis Jodorowsky plays as his father, Jaime.
Jeremias Herskovitz, from
The Dance of Reality, portrays Jodorowsky as a teenager. The film premiered in the
Directors' Fortnight section of the
Cannes Film Festival on 14 May 2016.
Variety's review was overwhelmingly positive, calling it "...the most accessible movie he has ever made, and it may also be the best." During an interview at the Cannes Film Festival in 2016, Jodorowsky announced his plans to finally make
The Son of El Topo as soon as financial backing is obtained. ==Other work==