In 1921, Tyshler moved to
Moscow. In Moscow, Tyshler got close to
futurist circles. He worked in painting and graphics, in particular, as a book illustrator. In this period, he was mostly interested in abstract compositions showing details of some mechanical equipment. On the other hand, the graphics was mainly figurative and, in particular, showed some themes related to the Civil War, as well as landscapes of
Crimea. Starting from 1926, when Tyshler was invited to design a stage for a play in
BelGOSET, the state Jewish theater in
Minsk, he also started to work as a stage designer. His second stage design was for
Fuenteovejuna by
Lope de Vega. He was subsequently invited to the State Jewish Theater in
Kharkiv, and, in the 1930s, to
Romen Theatre in Moscow. Tyshler worked with Romen Theatre until 1940 and made the stage design for most of their performances of that period. In the 1930s, he also produced many paintings on topics associated with the Russian Revolution and Civil war, as well as related to the topics of his stage design, such as a large cyclus on
Romani life. Tyshler's paintings before 1936 are considered the early period of his art. Tyshler was awarded the People's Artist of the Uzbek SSR in 1943. Tyshler is buried at
Kuntsevo Cemetery. == Legacy ==