In 1861, after two false starts in poetry and fiction, he made his first noteworthy appearance as a writer with
The Season: a Satire, which contained incisive lines, and was marked by some promise both in wit and observation. In 1870 he published a volume of criticism,
The Poetry of the Period, which was conceived in the spirit of satire, and attacked Tennyson,
Browning,
Matthew Arnold and Swinburne in an unrestrained fashion. The book aroused some discussion at the time, but its lack of balance meant that its judgments were extremely uncritical. A contemporary critic, Walter Whyte, praised the "purity" of Austin's style: "He writes sound unaffected English; his meaning is always transparent. He has not sought to emulate Tennyson's exquisite elaboration of diction; his lines are seldom jewelled by 'curious felicities.' But they are always graceful, and sometimes admirably vigorous and hearty.[...] One of the charms of his poetry lies in the freshness and vividness of his descriptions of Nature. He has dealt powerfully with the grandeurs of Alpine scenery, but his happiest pictures are of English fields and woods." The critic
George Saintsbury, while endorsing the general view that "Alfred Austin hardly deserved to be made poet laureate," found him "a really vigorous and accomplished writer of prose, and a tolerable master of unambitious form in verse." Austin, he wrote, "could keep up poems of some length like
Prince Lucifer and
The Human Tragedy," and approach a modicum of "vigour and passion in lyric." As poet-laureate, his topical verses did not escape negative criticism; a hasty poem written in praise of the
Jameson Raid in 1896 being a notable instance. A drama by him,
Flodden Field, was performed at His Majesty's theatre in 1903, and
Alexander Mackenzie's contribution to
Choral Songs in Honour of Her Majesty Queen Victoria (1899) was a setting of Austin's occasional poem "With wisdom, goodness, grace". ==Bibliography==