A co-chair of literature for the
New York State Council on the Arts (1970) he was a consultant for the National Endowment for the Humanities (1970–73), the National Endowment for the Arts (1970–72), and the Asia Society. In 1980 Prettyman served as elector, National Medal of Literature and judge for the National Book Awards. He served on the editorial board for
Christianity & Crisis magazine, was chairman of the Minority Publishers’ Committee of the Council on Interracial Books for Children, and was a member of PEN and Pi Delta Epsilon (Journalism). As alumnus trustee he served on the board of Hamilton College. His other board services included the Berkshire Farm Center and Services for Youth, NY and Nyack Center (board chair and executive director), Nyack, NY. Since 2003 he has been chairman of the board of the Ophelia J. Berry Fund, Inc, dba Pathways to College. Since 1976 he has continued to hold meetings in his apartment of the Society for the Study of Africana Philosophy (SSAP). With Albert E. Blumberg (1906–1997), a fellow tennis player, philosopher, political activist, and a native of Baltimore, Prettyman co-founded SSAP as an open forum for the discussion of philosophical ideas and to provide a network of support for young African American philosophers and a place for lay intellectuals to exchange ideas with professional academics in an informal setting. Prettyman is a frequent presenter for the (SAAP), of which he is a member. He is also a member of the
Organization of American Historians (OAH). Author of numerous articles and lecturer in education, social and political thought, Prettyman presented “The New ‘Redeemers’ Recent Conservative and Liberal Assaults on Minority Rights in the U.S.” as the W.E.B. DuBois Lecturer, Humboldt University, Berlin, Germany in 2005 and presented “Compulsion and Persuasion in a Democracy of Split-Levels” at Opole University, Poland in 2013. In Pioneers of Africana Philosophy, The Center for the Humanities, City University of New York, 2021, he presented “Rending the Veil: How Do We See Each Other.” The film, “Ogun’s Fire: The Sculpture of Melvin Edwards,” (PrettySteady Productions) of which he was Executive Producer, was selected Best Film/Video in the Fine Arts XV Black International Cinema Festival 2000, Germany and USA. ==Footnotes==