4:["$","div",null,{"className":"min-h-screen bg-white flex flex-col","children":[["$","div",null,{"className":"px-6 pt-6 pb-4 border-b border-gray-100","children":[["$","div",null,{"className":"flex items-center gap-1.5 text-xs text-gray-400 mb-4","children":[["$","a",null,{"href":"/","className":"hover:text-[#26a69a] transition-colors","children":"Market"}],["$","span",null,{"children":"›"}],["$","span",null,{"className":"text-gray-600","children":"All Flowers in Time Bend Towards the Sun"}]]}],["$","div",null,{"className":"text-[10px] text-gray-400 uppercase tracking-widest mb-1","children":"Company Profile"}],["$","h1",null,{"className":"text-2xl font-bold text-gray-900","children":"All Flowers in Time Bend Towards the Sun"}],null]}],["$","div",null,{"className":"flex-1 px-6 py-6","children":[["$","p",null,{"className":"text-sm text-gray-600 leading-relaxed mb-8","children":"\"All Flowers in Time Bend Towards the Sun\" is an unreleased duet by American singer Jeff Buckley and Scottish singer Elizabeth Fraser of Cocteau Twins. A rough demo, recorded during the pair's mid-1990s relationship, has circulated online but has never been officially issued. In 2009, Fraser called the recording \"unfinished\" and said she did not want it to be heard, but then added, \"Maybe I won't always think that\"."}],["$","div",null,{"className":"columns-1 md:columns-2 gap-10","children":[["$","div","0",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Background and recording"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"Coverage places the collaboration around 1994–1995, when Buckley and Fraser were in a romantic relationship, and describes the track as an intimate, informal demo rather than a label-commissioned studio release. The recording features a conversational, stripped-back performance with the singers alternating verses; faint laughter from Fraser can be heard before she enters. == Leak and circulation =="}}]]}],["$","div","1",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Leak and circulation"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"Following Buckley's death in 1997, the duet leaked and spread through fan networks and later video-sharing sites; subsequent reporting has treated it as an unofficial but persistent item in Buckley's posthumous circulation. == Reception and legacy =="}}]]}],["$","div","2",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Reception and legacy"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"Despite its unofficial status, the track has drawn critical attention. Dazed listed the duet among Buckley's \"most underrated deep cuts,\" highlighting the unusual vocal pairing and emotional impact. The song was incorporated into The Last Goodbye, a 2013 stage adaptation of Romeo and Juliet built around Buckley's music; Playbill noted the production exchanges the canonical balcony scene \"for the duet of the unrecorded number 'All Flowers in Time.'\" An art exhibition at Almine Rech in 2025 took its title from the song, citing the phrase's resonance and imagery. == Credits =="}}]]}],"$Lf"]}],"$L10"]}],"$L11"]}]