Critical response On the
review aggregator website
Rotten Tomatoes, the film holds an approval rating of based on reviews, and an average rating of .
Metacritic, which uses a weighted average, assigned the film a score of 61 out of 100, based on 11 critics, indicating "generally favorable reviews". For
Variety, Andrew Barker wrote, "At one point, Hoon is asked how he keeps from getting lost in the whirlwind of stardom that has taken over his life, and he replies that this is the very reason he’s always walking around with a video camera: capturing enough of the mayhem so that he can try to make sense of it later on, when things finally calm down. He never got that opportunity, but full credit to the makers of
All I Can Say for giving the rest of us a chance". For
BraveWords, Aaron Small gave it an 8 out of 10 rating, and wrote, "Impactful, intriguing, intimate, and honest,
All I Can Say is an insider’s less than glamorous look at essentially immediate, and short-lived success". For
The Guardian, Phil Hoad described it as "a quizzical time capsule of pre-internet fame from the perspective of a troubled but capable young man who knew his way around a camera". For
NME, Mark Beaumont suggested, "If we're to understand Hoon's life through his footage, it's as a victim of a lifestyle that amplifies not just the sounds in your head but the problems at your core". For
The Irish Times, Tara Brady commended the directors for having "sifted through hundreds of hours of footage to fashion something that allows for a sense of the person behind the rock casualty".
Accolades The film won the Grand Jury Prize at Sound Unseen, Best Documentary Feature at the
New Hampshire Film Festival, The film was awarded Best International Musical Documentary at the 2020 In-Edit Festival in Spain. ==References==