All Saints is an imposing church—one of the largest of the 19th-century Gothic revival—and bears some resemblance to one of John Loughborough Pearson's largest ecclesiastical projects,
Truro Cathedral. Pearson used local
sandstone for the exterior, in contrast to the
knapped flintwork and red brick decoration of his other Hove church, St Barnabas; and the predominant architectural style, the Early
English Decorated style, is also markedly different from his other major churches, mostly in the London area. The interior is also of stone, usually only seen in the grandest of mediaeval buildings, and the great roof is constructed of Sussex oak. The narthex at the western end leads through to a very wide nave with aisles and tall arcades on both sides (likened by Pevsner to those of Exeter Cathedral) and a
chancel with
side chapels. One of these is separated from the body of the church by a canopied screen of great richness carved in wood, dedicated to people from the parish killed in the
First World War. The church is dominated by a stone
reredos carved by
Nathaniel Hitch and installed in 1908. Pearson used a clever conceit in the design of the church to produce a visual concentration on the reredos, and the east end of the church was described by the architect
Harry Stuart Goodhart-Rendel "as nearly perfect as can be".
Nikolaus Pevsner described the building as "superb and cathedral-like". Other internal fixtures include oak choir stalls and canopies designed by Frank Loughborough Pearson in memory of Thomas Peacey, a stone
pulpit and red marble seven sided
font. ==All Saints Hove today==