The song was inspired by the 1896 story "Disillusionment" by
Thomas Mann. Jerry Leiber's wife
Gaby Rodgers (née Gabrielle Rosenberg) was born in Germany and lived in the Netherlands. She escaped ahead of the Nazis, settling in Hollywood where she had a brief film career. Rodgers introduced Leiber to the works of Thomas Mann. The lines "Is that all there is to a fire?/Is that all there is/is that all there is?" and three of the events in the song (the fire, failed love, imagined death) are based on the narrator's words in Mann's story; the central idea of both the short story and the song are the same. Leiber and Stoller first gave the song to
Georgia Brown to perform for a
BBC television special in 1967. She asked Leiber and Stoller to add a sung chorus alongside the spoken verses. Leiber and Stoller attached a chorus they had written for another song, but realized the chorus did not fit, so wrote lyrics and music for a new chorus which miraculously fit together without any changes. While Brown performed the song on television as planned, it was never recorded as a single. Leiber and Stoller considered giving the song to Kurt Weill's widow
Lotte Lenya or German
kabarett singer
Claire Waldoff (who, apparently unbeknownst to them, was deceased), but decided that
Marlene Dietrich was the only such name that American record companies would consider well-known enough. However, after a meeting with Leiber and Stoller, Dietrich rejected the song.
Barbra Streisand's manager was sent the song but never responded. The song first appeared commercially in 1968, on
Leslie Uggams' album ''What's an Uggams?
alongside other Leiber and Stoller songs. Leiber and Stoller intended to incorporate "Is That All There Is?" into a musical version of International Wrestling Match'', an
off-Broadway play by
Jeff Weiss; although the project never materialized, the initial releases of the song's sheet music and of the Peggy Lee single were labeled as "from the forthcoming production
International Wrestling Match". Leiber and Stoller then offered the song to Peggy Lee, who enthusiastically accepted and suggested that Randy Newman arrange the song. During the session, Lee delivered an impressive performance on take 36 that the engineer forgot to record, so one more take was needed. Capitol Records was reluctant to release it, but after
Joey Bishop was not interested in booking any of Capitol's acts except Lee for
his show, they agreed. Despite the song's success, Lee was not then interested in further collaboration with Leiber and Stoller. Leiber was also upset that Lee said "I’m not ready for that final disappointment" during the recording instead of the originally written "I’m in no hurry for that final disappointment." ==Chart history==