In its original conception, the album was to be a two-disc set of songs written for other artists, entitled
A Case for Song, with backing by a diverse array of musicians, influenced by his participation in the 1995
Meltdown Festival. Aspects of this concept survived to the final album, as four songs previously released by others made it to the final track listing: "
The Other End of the Telescope", co-written with
Aimee Mann and originally recorded by
'Til Tuesday; "
You Bowed Down", recorded by
Roger McGuinn; "All This Useless Beauty" and "I Want to Vanish", recorded by
June Tabor. The title is a sarcastic reference to what Costello thought would be the fate of the album. Instead, Costello hired the Attractions, and recorded the songs at
Windmill Lane Studios in Dublin and
Westside Studios in London with production by
Geoff Emerick and engineering by Jon Jacobs. "
Complicated Shadows" had been intended for
Johnny Cash, and "Why Can't A Man Stand Alone?" for
Sam Moore, but neither singer elected to record them. Another of his collaborations with
Paul McCartney appears, "Shallow Grave". Unusually, six tracks were released as singles in either the United Kingdom or the United States; "It's Time", "Little Atoms", "The Other End of the Telescope", "Distorted Angel", "All This Useless Beauty" and "You Bowed Down". Four of these—"Little Atoms", "The Other End of the Telescope", "Distorted Angel", and "All This Useless Beauty"—were released the same month as part of a limited-time promotion campaign, with each single featuring covers of songs from the album by other artists, such as
Lush,
Sleeper, and
Tricky. Costello, who described the release as a "pop art project" where each single was deleted one week after its initial launch, explained: "It's Time" charted at number 58 in the UK, while all of the four limited promotional releases but "Distorted Angel" reached the 90s on the UK charts. "You Bowed Down" reached number eight on the
Billboard Adult Alternative Songs chart. ==Release history==