Notable works Most of Garwood's musical output consisted of vocal works, but she also composed a variety of chamber pieces, including: • '''''Cliff's Edge, Songs of a Psychotic for Voice & Piano''''' (1970) •
Squizophrenia •
Hebephrenia •
Panic •
Breakdown •
Asylum •
Haiku Zoo, For Chorus (1975) •
The Whippoorwill, a semi-madrigal •
The Scarecrow, a quasi invention •
The Frog, an antiphonal trifle •
The Dragonfly, lament for a dead child •
The Cow, a fugue •
The Cat, a pseudo-oratorio •
Homages, for Piano Trio (1975) •
Rainsongs, for Chorus & Orchestra (Part of Choral Trilogy) (1992) •
When that I was a little tiny boy •
All day long the rain has fallen •
What lips my lips have kissed •
Six Japanese Songs, for voice, clarinet & piano (1967) •
Loneliness •
From "Essences" •
Iris •
Death Song •
Two White Butterflies •
Snow •
Flowersongs, for chorus and orchestra (Part of Choral Trilogy) •
These children singing in stone •
When faces called flowers float out of the ground •
If there are any heavens my mother will (all by herself) have •
Tombsongs, for chorus & orchestra (part of Choral Trilogy) (1989) •
Sea dirge •
Tell Me Where Is Fancy Bred •
Dirge Without Music •
Soliloquy for saxophone and piano (1992) • '''''
Rappaccini's Daughter''''' (1983, commissioned by the
Pennsylvania Opera Theater) •
The Nightingale and the Rose (1973, commissioned by the Pennsylvania Opera Company; also performed by
Opera Delaware) •
The Scarlet Letter (2010, premiered by the
Academy of Vocal Arts at the
Merriam Theater in
Philadelphia in 2010) •
The Trojan Woman (1967, commissioned by the Pennsylvania Opera Company) •
Joringel and the Songflower (1987) ==References==