4:["$","div",null,{"className":"min-h-screen bg-white flex flex-col","children":[["$","div",null,{"className":"px-6 pt-6 pb-4 border-b border-gray-100","children":[["$","div",null,{"className":"flex items-center gap-1.5 text-xs text-gray-400 mb-4","children":[["$","a",null,{"href":"/","className":"hover:text-[#26a69a] transition-colors","children":"Market"}],["$","span",null,{"children":"›"}],["$","span",null,{"className":"text-gray-600","children":"Almahide"}]]}],["$","div",null,{"className":"text-[10px] text-gray-400 uppercase tracking-widest mb-1","children":"Company Profile"}],["$","h1",null,{"className":"text-2xl font-bold text-gray-900","children":"Almahide"}],null]}],["$","div",null,{"className":"flex-1 px-6 py-6","children":[["$","p",null,{"className":"text-sm text-gray-600 leading-relaxed mb-8","children":"Almahide is a pasticcio opera arranged by John James Heidegger. Musically the work was based on Ariosti’s Amor tra nemici (1708), but most of the arias were replaced by the work of other composers, including six arias from Giovanni Bononcini‘s Turno Aricino."}],["$","div",null,{"className":"columns-1 md:columns-2 gap-10","children":[["$","div","0",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Action"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"Almahide has been brought up as a man in preparation for killing her father's enemy Almiro; instead she has fallen in love with him. Almiro loves Celinda, who is herself loved by the king, Almanzor, but she loves the disguised Almahide. After scenes of jealousy and threats of violence, tensions are happily resolved with two marriages. ==Libretto=="}}]]}],["$","div","1",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Libretto"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"The libretto was by Silvio Stampiglia and Pietro Antonio Bernardon, who adapted Dryden’s Almanzor and Almahide. {{Quote ==Production history=="}}]]}],["$","div","2",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Production history"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"Almahide was first performed at Queen's Theatre, Haymarket on 10 January 1710. The first production was popular and had a run of fourteen nights. The cast was composed of Italian singers; three castrati - Nicolini (Almiro), Valentini (Almanzor), and Giuseppe Cassani (Gemir), as well as two women - Margherita de L'Epine (Almahide), and Isabella Girardeau (Celinda). In February 1710, Walsh, Randall and Hare published Songs in the new Opera, Call’d Almahide, including the overture and 43 arias. The production was revived the following year with four performances in April and one in May, with Margharita de l’Epine in the title role. ==External links=="}}]]}]]}],"$Lf"]}],"$L10"]}]