Tabor-Smith spent a decade as a dancer, then Associate Artistic Director with the internationally acclaimed
Urban Bush Women dance company of New York City, where she was a part of developing the company's early community engagement methodologies. As founder of Deep Waters Dance Theater, she creates choreographic work rooted in ritual and exploring issues facing people of color and the environment. Her 2011 work
Our Daily Bread - which explored what and how we eat - included live cooking and eating and was described as "a theatrically cogent, emotionally rich piece of dance theater that made us laugh at ourselves and want to scream at the end." Tabor-Smith won a San Francisco Guardian 2013
Best of the Bay award for
He Moved Swiftly But Gently Down the Not Too Crowded Street: Ed Mock and Other True Tales in a City That Once Was, which consisted of 11 site-specific performances that journeyed through the life of Bay Area dance pioneer
Ed Mock. "Everybody's saying the feisty, freaky soul of San Francisco is dying," the SF Guardian wrote. "Finally someone did something about it, in the form of resurrecting one of the city's most treasured cult arts figures. ...You could feel Mock smiling fearlessly, glorious in a giant pink tutu, back on the streets." Tabor-Smith has performed in the works of a number of noted choreographers, many of whom inform her own work. These include
Ed Mock, Joanna Haigood of
Zaccho Dance Theatre, Pearl Ubungen,
Ronald K. Brown,
Liz Lerman,
Faustin Linyekula, Anne Bluethenthal, Adia Tamar Whitaker and Sara Shelton Mann. She has also performed in the works of theater artists
Anna Deavere Smith,
Aya de Leon, Herbert Siquenza, The SF Mime Troupe, and
Marc Bamuthi Joseph. ==Awards and recognition==