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Post-metal

Post-metal is a music genre rooted in heavy metal but exploring approaches beyond metal conventions. It emerged in the 1990s with bands such as Neurosis and Godflesh, who transformed metal texture through experimental composition. In a way similar to the predecessor genres post-rock and post-hardcore, post-metal offsets the darkness and intensity of extreme metal with an emphasis on atmosphere, emotion, and even "revelation", developing an expansive but introspective sound variously imbued with elements of ambient, noise, psychedelic, progressive, and classical music, and often shoegaze and art rock. Songs are typically long, with loose and layered structures that discard the verse–chorus form in favor of crescendos and repeating themes. The sound centres on guitars and drums, while any vocals are often but not always screamed or growled and resemble an additional instrument.

History
Predecessors ' combination of doom metal, hardcore punk, and avant-garde approaches has been a key influence on post-metal bands. The groundwork for post-metal was laid in the 1980s and early 1990s by various artists (mostly in the US) combining heavy metal and punk rock sounds with an "avant-garde sensibility", such as the Melvins (particularly on 1991's Bullhead), The Flying Luttenbachers, Justin Broadrick of Napalm Death and Godflesh, Many of these artists emerged from hardcore punk and post-punk circles but their combination of sonic violence with experimentation and eclecticism made them difficult to categorize under any one genre. In 2010, guitarist Steve Von Till stated: The band's 1996 fifth album Through Silver in Blood was credited by Terrorizer with "effectively invent[ing] the post-metal genre" and named the best post-metal album of all time by Fact. Similarly, drone metal pioneers Earth have been significant to post-metal ever since their 1991 debut release Extra-Capsular Extraction. According to Jahdi, the genre emerged as "those young intellectuals decided to slow it down" and labels such as Relapse Records and Hydra Head Records began releasing "slower, more bass-heavy and abstract" music more akin to post-rock. and Year of No Light from France, who have transitioned from a sludge-oriented sound to monumental instrumental compositions, "beautifully layered, but still dark and heavy". Back in the US, another instrumental band rose to prominence: Russian Circles, also strongly influenced by Oceanic. By contrast, True Widow, whose sound is rooted as much in 1990s indie rock and psychedelic rock as in doom metal, offer a distinctive take, most impactfully on the 2013's Circumambulation, by employing "male/female vocal interplay" and showcasing "vulnerability and restraint". Meanwhile, the Melvins returned to the sound they themselves helped inspire, impacting it with the 2004 album Pigs of the Roman Empire, a collaboration with Welsh dark ambient composer Lustmord. have brought the genre widespread critical acclaim in their fusion of black metal and shoegaze. Gradually, post-metal as a genre has achieved major critical acclaim. This was reinforced by the "widely publicized" success of California band Deafheaven, whose second album Sunbather became one of the most celebrated releases of 2013. The band's successful fusion of caustic black metal with blissfull shoegaze in the vein of My Bloody Valentine and Slowdive, although preceded by the French musician Neige of Alcest, was nicknamed blackgaze and met with controversy among fans of conventional extreme metal. It has also inspired a new wave of bands such as: Ghost Bath from North Dakota, who use undistorted guitar melodies to develop unsettling atmospheres; Austria's Harakiri for the Sky, whose despairing sound melds black metal and post-hardcore; and the recent work of Oathbreaker, who are rooted in the Belgian dark hardcore scene of Amenra. ==Characteristics==
Characteristics
Post-metal is generally heavy, aggressive, and dark, but explores a variety of musical approaches alien to conventional heavy metal and extreme metal. hypnotic, Contemporary post-metal bands incorporate influences ranging through doom metal, black metal, shoegaze, progressive rock, folk music, and classical music. Fact writer Robin Jahdi notes that "the best Neurosis albums don't sound anything like the best offerings from Isis" and that the genre cannot be readily distinguished from doom metal, modern black metal, and progressive metal, "taking in all of these elements without being entirely any one of them". Contemporary post-metal is often seen as combining "elements of doom metal, sludge, and/or black metal with elements of post-rock and shoegaze", being more "peaceful" than metal but retaining its dark theming and harsh vocal style. ==See also==
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