After her move to Williambury, Amelia started to publish photographs in the
Western Mail and other publications under the pseudonym Coyarre, including images of Indigenous people. She was featured in
The Great North West and its Resources, published 1904. In 1905, her work was featured in the photographic booklet
Busselton & District Illustrated, and she exhibited a set of picture postcards in the 1907 Exhibition of Women's Work in Melbourne. with a particular focus on depicting contemporary "station life," but also other topics in 1900, 1901, 1902, 1904, 1905, and 1906. Amelia's photography of Indigenous people has been criticised as being posed in the style "suggested by anthropological photographers of the day," that was created under "the instructions of the white woman in authority." In the first decade of the 1900s, Amelia studied woodcarving at the
Perth Technical School, who decorated her home with her hand-carved furniture. ==Horse breeding and racing==