The Americana was one of at least eight hotels that
Loews Hotels developed in Manhattan during the early 1960s, as well as one of four developed by Morris Lapidus. and Farkas & Barron was the structural engineer.
Form and facade At 51 floors, with a height of , the hotel was acclaimed for many years in its advertising and by the media as the
tallest hotel in the world, based on the number and height of its inhabited floors. The base is three stories high and contains the hotel's public rooms. The main entrance, on Seventh Avenue, occupies the northern part of the hotel's Seventh Avenue
elevation, near 53rd Street. It originally contained a full-height glass wall and was slightly angled from the street grid. This rotunda contained the hotel's restaurants. The main part of the Sheraton is a 47-story slab, which is bent in the center. The western part of the
massing is angled toward the corner of Seventh Avenue and 52nd Street, while the eastern part runs parallel to the Manhattan street grid. The hotel was designed in this way because
zoning regulations prohibited the upper stories from being built any closer to 52nd Street. On the north side, a 25-story wing is perpendicular to the western part of the slab (and slightly angled from the street grid). On the longer elevations of the slab, each story originally contained horizontal strips of windows, installed in stainless-steel frames. The facades of the accommodation blocks are generally intact, but the podium levels were reclad in the 1991 renovation, replacing the varied, light 1960s details with Postmodern squared granite.
Features The hotel's
superstructure is composed of three structural systems. According to Lapidus, his previous projects had all used reinforced concrete, and he did not intend to use steel. At the time of its completion, the building was the tallest concrete-framed structure in the city.
Lowest stories The lobby contained gold-and-white and teak furniture, as well as a floor made of white marble. In addition, a set of concrete arches supported a staircase that led to a lower lobby. which could accommodate up to 11,000 diners at once. There were seven kitchens, which took up four basement levels. which was themed to the Old West and contained themed wooden carvings. or . The chandelier, which could be raised and lowered on a winch, cost $50,000. The Imperial Ballroom's projection booth could retract into the ceiling when it was not being used. There were two large sliding panels, allowing the Imperial Ballroom to be divided into three smaller spaces. There were also three smaller ballrooms that fit up to 1,000 people; they were known as the Royal, Versailles, and Princess. The Royal (or Georgian) Ballroom could fit 1,200 guests and could be divided into a primary ballroom and a separate foyer. The Versailles Ballroom could fit 400 diners or 500 business guests, and the Princess Ballroom could fit 300 people. The exhibition hall spanned at ground level. The hotel also had 38 private meeting rooms, each with a capacity of 25 to 500 people. The basement contained a parking garage with 350 spots. Also part of the hotel was a swimming pool on the 25th story.
Hotel rooms When the hotel was developed, it contained 2,000 rooms, including 90 large suites. Originally, the smallest room in the Americana Hotel was a single-bedroom unit measuring . By contrast, the hotel's largest unit had six bedrooms, a three-sided terrace, and its own butler and maid. Lapidus designed most of the hotel's original furniture. These included lamps, portraits, and furniture, which were all designed in a mid-20th-century style. The hotel rooms were originally decorated in a white, blue, and gold color scheme, complementing the design of the lower stories. Lapidus also designed the carpets, which were installed across each room, extending into the closets. Each bedroom initially had its own thermostat, telephone, small refrigerator, and combination swivel/rocking chair, as well as a full-width window. In addition, rooms had their own radio, television, and
Gideon Bible. Guests could use the televisions in their rooms to watch
closed-circuit television footage of the ballrooms and exhibition areas. ==References==