built by
Rashtrakuta Amoghavarsha Amoghavarsha was a devout
Jain. His Jain affiliation was not a later development, historical evidence shows he was born into the Jain tradition and continued his family's legacy of Jain patronage. He was a disciple and close patron of the Digambar
Acharya Jinasena, who served as royal advisor and spiritual guide. Under Acharya Jinasena’s influence, Amoghavarsha ruled for 64 years. He is credited with composing, along with Acharya Jinasena, the
Kavirajamarga, the earliest known work of Kannada poetics. His reign is marked by generous patronage of Jain monks, scholars, and temples, notably at Manyakheta, the Rashtrakuta capital. According to the Kannada historical novel "Nrupatunga" by Ta. Ra. Su., his son
Krishna II is also said to have learned under Acharya Jinasena. According to Historian Sadashiv Altekar, Amoghavarsha was so deeply moved by a sense of renunciation (
vairagya) that he handed over the kingdom to
Krishna II and spent his final days with
Acharya Jinasena. It is also suggested that he may have even become a monk and ultimately taken
Sallekhana (The Jain ritual of fasting to death). Historian J.D.M. Derrett notes that though a Jain, he also extended Support to
Hindu temples and allowed peaceful trade by
Muslim merchants in his realm. The historians Chopra, Ravindran and Subrahmanian opine that Amoghavarsha was deeply influenced by Jainism, Although He also worshiped Hindu goddesses. like he made a donation to the
Mahalakshmi Temple, Kolhapur, some interpret as saying he "cut his finger" as a sacrifice for the
Mahalakshmi Temple, Kolhapur. However, this is a misinterpretation: the inscription uses the word "bali", which in context means "dana" (gift or donation), indicating he made a donation for the temple, likely to serve local needs. Blood sacrifice (rakta bali) was not a practice of Shramana religions like Jainism. The temple itself is believed to have originally been dedicated to
Padmāvatī The Yakshini of Tirthankara
Parshvanatha, It is said that during Amoghavarsha’s time the site was associated with Jain worship—particularly Yakshi Padmavati—and only later became strongly identified with the goddess Mahalaxmi. ==Culture and literature==