AMzer: Seasons

AMzer: Seasons marks the passing of time and the 50th anniversary of Stivell's career. With AMzer: Seasons, Stivell pursues his quest of a "global music" and timeless, with an attraction for all the musics, in the space and the time: "Underpinning this record, I was wanting peace and fullness". The title in Breton language evokes the time and the subtitle the seasons. By dedicating this concept-album to poetry, he gets closer his ''Trema 'n Inis: Towards The Isle'' studio album released about 40 years ago, in 1976. His Celtic music goes to the contact of the other cultures and for the first time, the artist opens to the Japanese culture, by presenting three Japanese poets from the 17th to the 19th centuries (Kobayashi Issa, Yosa Buson, Matsuo Bashô) wrote these airy haiku. He continues to lead his experimental musical research, in connection with technological development. For three years he worked in his studio pure, archaic and futuristic sounds. The set can be subsumed into current "electropop-folk" trends. Yosa Buson uk.jpg|Yosa Buson Basho by Buson02.jpg|Matsuo Bashō Kobayashi Issa-Portrait.jpg|Kobayashi Issa Seamus Heaney (cropped).jpg|Seamus Heaney Samuel Beckett, f11.jpg|Samuel Beckett Laurent Bourdelas (écrivain), Journées nationales du livre et du vin, Saumur, 2014..jpg|Laurent Bourdelas == Sound design ==

« All the themes on this album were built around my harp and my voice. These are just improvisations, serving as a basis for computer-assisted "deconstructed-reconstructed" reworking, using new or little-used techniques whether electronic or in playing the harp. I want to make listeners think of anything but a harp: the sound of an acoustic bass, of an electric guitar; but also of other sounds totally distorted and experimental, concocted notably by David Millemann and also Nicolas Pougnand (some used in tracks 1, 2, 5, 10, 13). Or the sound of a piano, a synthesiser and so on, led by the harp, using the systems Audio-to-midi (for example in 1). I also use these interfaces for my voice, along with synthesisers (8). » Alan Stivell, text p. 11. Harpe celtique électrique Stivell-Marceau - 01.jpg|Electric harp Stivell-Marceau (2013) Festival de Cornouaille 2016 - Alan Stivell - 13.jpg|Alan Stivell Festival de Cornouaille 2016 - Alan Stivell - 25.jpg|David Millemann Festival de Cornouaille 2016 - Alan Stivell - 22.jpg|Nicolas Hild Festival de Cornouaille 2016 - Alan Stivell - 07.jpg|Maliko Oka Festival de Cornouaille 2016 - Alan Stivell - 09.jpg|Anne Gwenn Brodu ==Track listing==

Standard album Bonus tracks ==Personnel==

• Alan Stivell : programs, vocals, harps, tin and low-whistle • Cédrick Alexandre : double bass (5) • Anne Gwen Brodu : classic and wood flutes (7,8) • Toshiko Dhotel : Nippon talking vocals (2) • Gaëtan Grandjean : acoustic guitar (9) • Nicolas Hild : percussions, machines (5,7,8) • David Millemann : guitars, sound design and programs (2,3,4,8,9,11) • Maliko Oka : Nippon talking vocals and advices (2,3) • Gráinne O'Malley : Irish vocals (6) • Véronique Piron : master of shakuhachi, percussions (3,5) • Nicolas Pougnand : sound design (1,2,5,10) • Loumi Seveno : alto (9) ==Credits==

• Recording: from November 2011 to November 2014 at Studio Keltia III (Betton, Brittany) by Stivell; January 30, 31 2013 at Studio Zitello (Sulbiate, Lombardia) by Vincenzo Zitello (1, 5, 12, 13); from October 2014 to December 2014 at Studio Tillaut (Chevaigné, Brittany) by Damien Tillaut. • Directed by Alan Stivell • Mix: in January and February 2015 at Studio Tillaut (Chevaigné, Brittany) by Damien Tillaut and Alan Stivell, except 7, 8, 9, 13 from December 2014 to February 2015 at La Licorne Rouge (Rennes, Brittany) by Ted Beauvarlet, David Millemann and Alan Stivell. • Mastering: in January and March 2015 at Translab (Paris) by Benj. • Artwork: Ballmap (2011) by Jérémie Brunet. ==Charts==