An American Werewolf in Paris

Andy McDermott is a tourist seeing the sights of Paris with his friends Brad and Chris. When Serafine Pigot leaps off the Eiffel Tower just before Andy is about to bungee jump, he executes a mid-air rescue. She vanishes into the night, leaving Andy intrigued. After soon tracking her down and meeting her, Andy talks Serafine into going on a date with him. Andy and his friends are also introduced to Serafine's friend Claude, who invites them to his underground nightclub, Club de la Lune. That night at the club, Serafine is not present, so Chris volunteers to go back to her house. He frees her from a cell in the basement and is locked in it. He escapes after finding a legless werewolf confined to a bed. The club's owner, Claude, is actually the leader of a werewolf society that uses the club as a way to lure in people to be killed. Serafine arrives, tells Andy to run away, and transforms into a werewolf. The club owners transform into werewolves as well and butcher all the guests, including Brad. The next day, Andy wakes up at Serafine's house. She tells him he is transforming into a werewolf. This revelation is interrupted by the ghost of Serafine's mother Alex Price. Andy jumps out the window in panic and runs away. Chris tries to get his attention, but Claude kidnaps him. Brad's ghost appears to Andy and explains his werewolf condition. For Andy to become normal again, he must eat the heart of the werewolf that bit him, and for Brad's ghost to be at rest, the werewolf that killed him must be killed. After developing an appetite for raw meat, Andy hooks up with American tourist Amy Finch at a cemetery. He transforms and kills her and a cop who tailed him, suspecting Andy was involved in the Club de la Lune massacre. Andy is arrested but escapes. He begins to see Amy's ghost, who tries to find ways to get him killed. Claude and his henchmen capture Andy and pressure him to join their society, but Andy must kill Chris to prove his loyalty. Serafine again saves him, and they return to her home to find her basement ransacked and her stepfather Thierry Pigot, the confined werewolf, dead. Serafine explains Thierry prepared a drug to control werewolf transformations, but it had the opposite effect: forced transformation. As a result of testing on Serafine, she killed Alex and savaged Thierry. Claude stole the drugs during the ransacking. Serafine also mentions that Claude previously stole her blood in order to become a werewolf in the first place. Andy and Serafine learn of a Fourth of July party Claude has planned and infiltrate it. They try to help the people escape but flee after seeing that police have entered. Claude and his men inject themselves with the drug and slaughter almost all the guests. Andy and Serafine flee after killing a werewolf and setting Brad's spirit free. Serafine takes the drug to fight another werewolf when they become separated. Andy encounters them and, not knowing who is who, accidentally shoots her, leaving her to be found by the police. A werewolf then attacks him, chasing him down to an underground train track. The train stops due to it hitting the werewolf. It gets on the train where it attacks the driver and several passengers. The drug wears off, revealing Claude as the werewolf. Claude tries to inject himself with the last vial but is interrupted by Andy. In the ensuing fight, Andy finds that Claude is the culprit behind his infection. The two struggle to obtain the last vial of the drug, and Andy is accidentally injected. After transforming, Andy kills Claude and eats his heart, thus ending his own curse and as Serafine is revived. An ambulance transports her to the hospital. Serafine and Andy celebrate their wedding atop the Statue of Liberty with Andy's pal Chris, who survived. They bungee jump off when Chris accidentally drops the wedding ring from the statue. ==Cast==

Development When production of An American Werewolf in London ran into trouble with British Equity, director John Landis, having scouted locations in Paris, considered moving the production to France and changing its title to An American Werewolf in Paris. Landis was approached by PolyGram Pictures to develop a sequel to the first movie, as Landis explained in the book Beware the Moon: The Story of An American Werewolf in London: Landis's draft focused on Debbie Klein (a character only mentioned in the original film) getting a job in London, and her subsequent investigation into the deaths of David Kessler (David Naughton) and Jack Goodman (Griffin Dunne). Several roles were reprised from the original film, including Alex Price (Jenny Agutter), Dr. J. S. Hirsch (John Woodvine), and Sgt. McManus (Paul Kember), but the studio declined the script. Polygram Pictures still wanted to do a sequel, but Landis, unwilling to write a second treatment, told them to just make the sequel without him. Around the same time, writer/director John Lafia had written and submitted his own draft to the studio. The storyline for Lafia's draft focused on a schoolteacher in Paris who holds forth on good and evil in a class he teaches. The teacher is bitten by a lycanthrope and goes through the expected changes, while on his trail is Dr. Hirsch from the first film, who has been working on a werewolf serum. In a December 1990 interview in Fangoria #99, Lafia had stated that the studio was not interested in his script: "As it stands now it will most likely never be made, which is too bad. Maybe I'll retitle it and call it The Howling VII: The Intelligent Version". After Lafia left the project, Tom Stern and Tim Burns, who had previously worked on the short-lived MTV series The Idiot Box and the 1993 comedy film Freaked, were hired to write a new script, with Stern set as director. Stern and Burns's script followed a young American named Andy McDermott (Tom Everett Scott), who is vacationing in Spain when he is called to Paris after hearing that his uncle was savaged by a mysterious beast there. In keeping with the tradition of An American Werewolf in London, Stern and Burns loaded the script with as many songs referring to the moon as they could find. As part of the preproduction process, Stern had makeup effects (FX) artists Steve Johnson and Tony Gardner work on preliminary designs for the monster, and Phil Tippett, who had worked on Jurassic Park, was going to use computer graphics to bring the beast to life for full-body shots, while the closeups would be handled by the makeup FX crew using animatronic heads. Stern added, "We took pride in writing a villain that was somewhat charming and had a compelling argument because the great villains are the ones that have a great pitch and make you think 'wow, I can see the logic to this.' He just wanted a cartoon villain that was twirling his moustache and being all 'ultimate evil'." After the arbitration process, the final screenplay credit went to Stern, Burns, and Waller. Alternate endings In an alternate ending, after Andy eats Claude (Pierre Cosso)'s heart, Serafine Pigot (Julie Delpy) has a vision of her stepfather Thierry Pigot (Thierry Lhermitte) in the back of an ambulance, explaining how he found a cure before his death. The closing scene shows Andy and Chris (Phil Buckman) visiting Serafine at a hospital, where she has given birth to a child, whose eyes shift to look like the werewolves'; another version of the alternate ending features Inspector LeDuc (Tom Novembre) in Chris's place at the hospital. ==Release==

An American Werewolf in Paris opened theatrically in the United Kingdom on October 31, 1997, in the United States on December 25, and in France on May 6, 1998. ==Reception==

Box office In its opening weekend, the film ranked seventh in the United States and Canada box office and third among new releases, earning $7.6 million. By the end of its run, Paris grossed $26.6 million from a $25 million budget. Critics Upon its release, USA Today gave the film two out of four stars, citing unfunny gags, a "charmless" performance by lead actor Tom Everett Scott, and a failure to tap into the Parisian setting, though they praised Anthony Waller's direction. Russell Smith of The Austin Chronicle called An American Werewolf in Paris "a fast-paced, entertaining homage that recaptures a fair amount of the old lunatic energy and subversive humor [of the original]". He criticized that the characters often seem clueless in the face of obvious danger, but praised the fun and the special effects of transformation as "repulsively convincing". He gave it two and a half out of five stars. Writing for ReelViews, James Berardinelli derided the film's sitcom-level comedy, unintentionally humorous scares, and gratuitous nudity, but said the emotionally compelling performance by Julie Delpy and the occasional strong directorial strokes prevent it from succeeding as campy, "so bad it's good" entertainment. He gave it one and a half out of four stars. The film was nominated for Worst Sequel at the 1997 Stinkers Bad Movie Awards, but lost to Speed 2: Cruise Control. John Landis, the director of An American Werewolf in London, said, "I was really disappointed when I saw that film, I thought it was lousy". On Rotten Tomatoes, the film has an approval rating of 6% based on reviews from 31 critics, with an average rating of 3.7/10. The website's critical consensus reads, "Markedly inferior to its cult classic predecessor in every way, An American Werewolf in Paris is felled by the silver bullets of clumsy storytelling and chintzy special effects." On Metacritic, it has a score of 31 out of 100 based on reviews from 13 critics, indicating "generally unfavorable" reviews. Audiences polled by CinemaScore gave the film an average grade of "B-" on an A+ to F scale. ==Soundtrack==

A soundtrack for An American Werewolf in Paris was released on CD and cassette tape through Hollywood Records on September 23, 1997. It featured music from artists such as Bush, Better Than Ezra, and Cake. The film's soundtrack is largely responsible for the Bush song "Mouth" releasing as a single in October 1997, as it was featured prominently in the film and trailer. The single, marked as a release from the soundtrack, charted on several Billboard charts, including the Mainstream Rock Tracks and Modern Rock Tracks charts. The soundtrack was on ''Billboard's ''Top Album Sales chart for five weeks but, at its peak, only placed at number 80. The Smash Mouth song "Walkin' on the Sun" is in the film but not the soundtrack. Track list ==References==