Gabler's main thesis is that these producers (whom Gabler terms "Hollywood Jews") generally came from poor, fatherless backgrounds, and felt like outsiders in America because of their Jewishness. In
Hollywood, these producers were able to run their own industry, assimilate into the American mainstream, and produce movies that fulfilled their vision of the
American Dream. In an interview with
LA Times, Gabler speaks about the title of the book and the American Dream:They had a hunger for assimilation and, in the face of resistance and exclusion, "the Jews could simply create new a country--an empire of their own, so to speak . . . an America where fathers were strong, families stable, people attractive, resilient, resourceful, and decent." The 20th-Century American Dream was to a considerable degree depicted and defined by Hollywood.Gabler asserts that the nature of their business and their movies can often be traced back to their feelings of alienation as immigrants. The book also explains that the business background of the Hollywood Jews in theatre-ownership, retail distribution, and the garment industry shaped the approach these studio owners took to crafting movies for a popular audience, one similar to the marketing of films as commodities as well as works of art. The title of the book is a reference to
F. Scott Fitzgerald's unfinished novel
The Last Tycoon, in which Fitzgerald describes his protagonist, Monroe Stahr (a character inspired by the producer
Irving Thalberg) as "coming home to an empire of his own—an empire he has made." The book won the 1989
Los Angeles Times Book Prize for history and the 1989 Theatre Library Association Award. ==Adaptations==