4:["$","div",null,{"className":"min-h-screen bg-white flex flex-col","children":[["$","div",null,{"className":"px-6 pt-6 pb-4 border-b border-gray-100","children":[["$","div",null,{"className":"flex items-center gap-1.5 text-xs text-gray-400 mb-4","children":[["$","a",null,{"href":"/","className":"hover:text-[#26a69a] transition-colors","children":"Market"}],["$","span",null,{"children":"›"}],["$","span",null,{"className":"text-gray-600","children":"Anna Bartels"}]]}],["$","div",null,{"className":"text-[10px] text-gray-400 uppercase tracking-widest mb-1","children":"Company Profile"}],["$","h1",null,{"className":"text-2xl font-bold text-gray-900","children":"Anna Bartels"}],null]}],["$","div",null,{"className":"flex-1 px-6 py-6","children":[["$","p",null,{"className":"text-sm text-gray-600 leading-relaxed mb-8","children":"Anna Katarina Bartels née Fernquist was a Swedish operatic soprano. She made her debut at the Royal Swedish Opera in 1897 in the title role of Flotow's Martha. Engaged by the company for the next 20 years, she gained popularity as a soubrette and coloratura soprano, performing Swedish premieres: such as Musette in Puccini's La bohème and Woglinde in Wagner's Rheingold. She later turned also to mezzo-soprano roles. In 1923, she was awarded the Litteris et Artibus medal."}],["$","div",null,{"className":"columns-1 md:columns-2 gap-10","children":[["$","div","0",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Early life and education"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"'' (1913) Born on 9 December 1869 in Gävle, Anna Fernquist was the daughter of the manufacturer Carl Johannes Fernquist and his wife Charlotta née Larsson. In 1902, she married the Swedish painter . She studied first in Gävle under the music teacher Wilhelm Björkgren (1886–87), then in Stockholm under Miss Achorn (1891–92), Signe Hebbe (1893) and Emilie Mechelin (1894–95) and later in Baden-Baden and Paris under Désirée Artôt (1899–1901). ==Career=="}}]]}],["$","div","1",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Career"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"In 1897, she made her debut at the Royal Swedish Opera in Stockholm in title role of Martha. For the next 20 years, she performed with the company, first gaining popularity in soprano roles but later also appearing as a mezzo-soprano. She performed in several Swedish premieres: Musetta in Puccini's La bohème (1901), Woglinde in Wagner's Rheingold (1901), Fattoumah in Henri Rabaud's Mârouf (1915), Marianne in Richard Strauss's Der Rosenkavalier (1920) and La Ciesca in Puccini's Gianni Schicchi (1920). ==Awards=="}}]]}],["$","div","2",{"className":"mb-8 break-inside-avoid","children":["$Lf","$L10"]}]]}],"$L11"]}],"$L12"]}]