On invitation by its director,
Ann Philbin, Ellegood joined the
Hammer Museum, which is affiliated with the
University of California, Los Angeles. The following year, a team of Hammer Museum and LAXART curators, including Ellegood, organized the museum's inaugural "
Made in L.A." biennial, which featured work by 60 Los Angeles artists in museums and spaces throughout the city. In 2014, she and art historian
Johanna Burton organized the exhibition "Take It or Leave It: Institution, Image, Ideology", which the museum described as "the first large-scale exhibition to focus on the intersection of two vitally important genres of contemporary art:
appropriation [...] and
institutional critique". A 2017
retrospective exhibition organized by Ellegood on artist
Jimmie Durham opened at the Hammer Museum and
traveled to the
Walker Art Center in
Minneapolis, the
Whitney Museum in New York City, and
Remai Modern in
Saskatoon, Canada. Although it garnered critical attention, the exhibition attracted controversy regarding his self-identification as
Cherokee. In response to criticism of the show, such as an editorial in
Indian Country Today, she wrote in
Artnet News that the family history information provided by his critics was "incomplete and limited" and was critical of
binary thinking on the matter. Earlier, Ellegood worked on a proposal with Durham and artist
Sam Durant for the
American pavilion at the 2007
Venice Biennale, but Durham withdrew from consideration because he felt problems would arise from his lack of tribal enrollment. Shortly after, the museum held the fourth iteration of the "Made in L.A." biennial, which was curated by
Erin Christovale and Ellegood. The curators showcased 32 artists of a "diverse group, both demographically as well as in the type of work they are making", according to
Artnet News, and tried to avoid a focus on works that responded to the actions of the
Donald Trump administration. The
Institute of Contemporary Art, Los Angeles (ICA LA) and the Hammer Museum jointly hosted the exhibition
Witch Hunt leading up to the
2020 U.S. presidential election. Organized by the institutions' respective curators,
Connie Butler and Ellegood, the exhibition includes fifteen mid-career women artists. The
ARTnews reviewer found: "Using the witch hunt as a framework... [the curators] implied that there is something witchy about the women artists represented here, that they may bring to light certain truths that could trigger mobs." == Museum administration (2019–present) ==