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Diva (1981 film)

Diva is a 1981 French thriller film directed by Jean-Jacques Beineix, adapted from the novel Diva by Daniel Odier. It eschewed the realist mood of the 1970s French cinema and instead adopted a colourful, melodic style, later described as cinéma du look. The mixture of "film noir, opera and art-house styles" did not please the producers, but was more to the liking of the Canadian audience at the Toronto International Film Festival where it was screened and achieved a "Critics' Choice" in 1981.

Plot
A young Parisian postman, Jules, is obsessed with opera and particularly with Cynthia Hawkins, a beautiful and celebrated American soprano who has never allowed her singing to be recorded. Jules attends a recital where Hawkins sings the aria "Ebben? Ne andrò lontana" from the opera La Wally. He covertly makes a high-quality bootleg recording of her performance using a Nagra professional tape-recorder. Afterwards, he steals the gown she was wearing from her dressing room. Later, Jules accidentally comes into possession of an audio cassette with the recorded testimony of a prostitute, Nadia, which exposes a senior police officer, Commissaire divisionnaire Jean Saporta, as the boss of a drug trafficking and prostitution racket. Nadia drops the cassette in the bag of the postman's moped moments before she is murdered by Saporta's two henchmen, "L' Antillais" and "Le Curé" ("The West Indian" and "The Priest"). Police officers Paula and Zatopek are now after Jules. They seek Nadia's cassette as they know it incriminates a prominent gangster. But they are unaware the gangster is actually their boss. Jules is also being hunted by Saporta's two henchmen, as well as by two Taiwanese men who want his unique and valuable recording of Cynthia Hawkins. Jules seeks refuge from all these pursuers with two new friends, a mysterious bohemian named Serge Gorodish and his companion, Alba, a young Vietnamese-French thief. Jules decides to return Cynthia Hawkins' dress at her luxury hotel. She is initially angry, but eventually forgives him. She is intrigued by Jules' adoration and a kind of romantic relationship develops, expressed by the background of a piano instrumental, as they walk around Paris in the Jardin des Tuileries early one morning. The Taiwanese try to blackmail Cynthia into signing a recording contract with them. Although they do not possess Jules' recording of her performance, they claim they do and threaten to release it as a pirated record if she does not cooperate; she indignantly refuses. Jules is spotted and chased by the two police officers but he escapes by riding his moped through the Paris Métro system. He takes refuge in the apartment of a prostitute friend (an unnamed character) but flees when he realizes she is part of Saporta's criminal network and will likely betray him; he leaves just before L' Antillais and Le Curé arrive. The enforcers catch up with him and Jules is shot but Gorodish rescues Jules just before Le Curé can kill him. Gorodish and Alba drive the wounded Jules to a safe house outside Paris, a remote lighthouse, in Gorodish's antique Citroën Traction Avant. Gorodish now has the cassette recording that incriminates Saporta and he uses it to blackmail the Commissaire. The two meet in a large, abandoned factory; Saporta pays off Gorodish, but intends to kill him – before the meeting, he had placed a remote control bomb in the back of Gorodish's car. The two Taiwanese interrupt them and steal the cassette at gunpoint, believing it to be Jules' recording of Cynthia Hawkins. They attempt to drive away in Gorodish's car but are killed when Saporta detonates his bomb with the intention of killing Gorodish. Gorodish then drives away in an identical Citroën that he had hidden in advance, showing he had likely anticipated these events. Meanwhile, Jules returns to Paris to give Cynthia his bootleg recording but L'Antillais and Le Curé are lying in wait for him outside her hotel. They abduct Jules and take him back to his loft apartment with the intention of killing him there and faking his suicide. However, police officer Paula has been keeping Jules' apartment under surveillance; she saves him by killing Le Curé and wounding L'Antillais. Saporta then appears. He kills his surviving henchman and attempts to kill Jules and Paula, intending to make it look like his henchmen shot them. Gorodish once again saves the day by turning out the lights and tricking Saporta into stepping into an empty elevator shaft and falling to his death. At the end of the film, Jules meets Cynthia at an empty theatre where he plays the La Wally recording for her. She expresses her nervousness about it because she had "never heard [herself] sing." ==Cast==
Cast
Frédéric Andréi as Jules • Wilhelmenia Fernandez (billed as Wilhelmenia Wiggins Fernandez) as Cynthia Hawkins • Richard Bohringer as Gorodish • Thuy An Luu as Alba • Jacques Fabbri as Police Commissaire Jean Saporta • Dominique Pinon as Le Curé ("The Priest") • Gérard Darmon as ''L'Antillais'' ("The West Indian") • Jim Adhi Limas (in French) as the first Taiwanese man • Anny Romand as Police officer Paula • Patrick Floersheim as Police officer Zatopek • Jean-Jacques Moreau as Krantz, a police informer • Chantal Deruaz as Nadia • Roland Bertin as Weinstadt, Cynthia Hawkins' manager • Jean-Luc Porraz as Mermoz, a friend of Jules • Laure Duthilleul as Mermoz's friend • Dominique Besnehard as record store employee • Isabelle Mergault as the girl playing an arcade game ==Production==
Production
Diva was Beineix's first feature film: he had acted as assistant to directors such as Claude Berri, René Clément and Claude Zidi. However, Diva represented "a constant battle between his digressive, imagistic, 'baroque' imagination and his producer's insistence on a tight thriller." The producers hated the title, aspects of Beineix's style, and their disappointment meant that the film was almost not distributed at all. At the time the theatre was notable for the run-down appearance of its interior, as it had been damaged by a fire and left derelict. In the 1970s it was revived by British theatrical director Peter Brook and French producer Micheline Rozan, who deliberately retained the rough interior for its distressed and damaged appearance. Nadia is killed outside the Gare Saint-Lazare railway station, where she had just arrived with the intention of handing her incriminating cassette to Krantz, a police informer. from a friend. He uses this bike to flee from his pursuers through the Paris Metro, in the chase scene that was filmed at the Concorde, Châtelet, and Opéra stations. This sequence ends at the Place de l'Opéra, where Jules dumps the moped and flees on foot. The site is now the Parc André-Citroën. Music Following her appearance as Musetta in La bohème at the Paris Opera in 1979, Wiggins Fernandez's singing in the film introduced the aria Ebben? Ne andrò lontana (''Well then? I'll go far away'') from Alfredo Catalani's opera La Wally to millions. As well as the Catalani aria sung by Wiggins Fernandez and Vladimir Cosma's original soundtrack played by the London Symphony Orchestra conducted by the composer, the film also includes a piano movement entitled 'Promenade Sentimentale' played by Cosma. At the very start of the film an operatic excerpt plays over the credits (the prelude to Gounod's Faust), but is cut off when Jules switches off the cassette player on his moped. Following Diva, Cosma would win his second music César for Le Bal, two years later. ==Home video==
Home video
The film was released on DVD on 29 May 2001 by Anchor Bay Entertainment. A Blu-ray edition was released by Kino Lorber on 11 August 2020. ==Reception and legacy==
Reception and legacy
Initial reaction The film initially was not a commercial success after its March 1981 release in France, where it faced bad press and a hostile reception by critics. However, French audiences slowly grew after it was released in the United States and found success there. Diva played for a year in Paris theaters. David Denby, in New York, upon its 1982 American release, wrote "One of the most audacious and original films to come out of France in recent years...Diva must be the only pop movie inspired by a love of opera." Film critic Roger Ebert gave it four out of four stars and praised its cast of characters. He called Beineix "a director with an enormous gift for creating visual images" and elaborated on his filmmaking: Ebert also praised the film's chase scene through the Paris metro, writing that it "deserves ranking with the all-time classics, Raiders of the Lost Ark, The French Connection, and Bullitt." David Russell asserts that the film is by far Beineix's best and is "probably one of the most important films of the 1980s". AwardsCésar Awards: • Best Debut: Jean-Jacques BeineixMusic: Vladimir CosmaCinematography: Philippe RousselotSound: Jean-Pierre Ruh The film was entered into the 12th Moscow International Film Festival. ==See also==
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