According to Pairot, design is about people's problems. In an interview with DPI magazine, Pairot said that he wanted to create and produce something that people would love to have and interact with for its practical use: "Design museums are not just [to] keep my design works in glass boxes but [to] use them in everyday life, too." "I like fixing people's problems by design. Things on Earth come from a kind of creation, either man-made or natural. And I see their value as equal in terms of one function only: to solve people's problems." "Nobody knows what will happen next in Bangkok. It's a city filled with chaos and complexity. No other city is so stimulating. What we seek daily is to change invisible charm into a miraculous charm." In his design work, he focuses on traditional Thai construction techniques and materials. For example, his
Loft Lounge Chair (2002) design incorporates
sustainable, local materials such as
water hyacinth and
rattan. In 2007,
Maison et Objet published
Inspirations Book n°11, which features Pairot's
Cell armchair. "The Cell collection is produced using special craft techniques. The design is lightweight with thought to reducing waste and ease of recycling, reused material but sustainable for indoor–outdoor." Inspired by tropical pollen,
Kaysorn (lit.
pollen in Thai) lamp is another design by Anon Pairot, which exudes "the spirit of the
Asian culture", especially that of the Thai
tropical climate. In 2009, Pairot was invited by
Vitra Design Museum to be a representative at the
Boisbuchet Workshop at
CIGE, Beijing. ==Business management==