Background and development In 1996, Madonna starred in the film adaptation of the musical, titled
Evita, playing the role of Eva; she had desired to play the part for a long time and even wrote to director
Alan Parker, explaining how she would be perfect for the part. After securing the role, she underwent vocal training with coach Joan Lader since
Evita required the actors to sing their own parts. Lader noted that the singer "had to use her voice in a way she's never used it before.
Evita is real musical theater — its operatic, in a sense. Madonna developed an upper
register that she didn't know she had." Unlike the musical, in the film the song is performed by Eva after ending her relationship with
Agustín Magaldi, deciding she wants to improve her life.
Recording and composition Recording sessions for the film's songs and soundtrack began in September 1995, and took place at the CTS Studios in
London with Madonna accompanied by co-actors
Antonio Banderas and
Jonathan Pryce. However, trouble arose as Madonna was not comfortable with laying down a "guide vocal" simultaneously with an 84 piece orchestra inside the studio. She was used to singing over a pre-recorded track and not having musicians listen to her. Also, unlike her previous soundtrack releases, she had little to no control over the project. An emergency meeting was held between Parker, Webber and Madonna where it was decided that the singer would record her part in a more contemporary studio while the orchestration would take place somewhere else. She also had alternate days off from the recording. Madonna's version of the song begins with the same softly strummed guitar in broken chords. Madonna sings in a breathy voice, giving her character more vulnerability. The first vocal entrance leads into an engaging melody with the opening phrase, "so what happens now?", repeated twice.
Release and reception The song was officially released as the soundtrack's third single on 18 March 1997 in Europe. In the United Kingdom, the song peaked at number 7 on the
UK Singles Chart, the week of 29 March 1997, and was present on the top 100 for a total of 8 weeks. The song also reached a peak of number 23 on the
Irish Singles Chart, where it remained for 3 weeks. The song was initially scheduled to impact
contemporary hit radio in the United States on April 15, 1997, but its release to the format was ultimately canceled.
AllMusic's Jose F. Promis, wrote that "the song finds Madonna giving an understated and inspired performance [...] One hopes that this overlooked gem might find its way onto future [Madonna] hits collections, because it is truly a wonderful song". Author Thomas S. Hischak called it "plaintive".
Billboards Geoff Burpee called it "A sterling, intimate moment from the
Evita soundtrack. Yes kids, she
can sing". Writing for the
Los Angeles Times, David Gritten opined Madonna's voice sounded "pitch-perfect and clear as a bell". Greg Morago, from the
Hartford Courant, felt that "By giving her 'Another Suitcase' with its heartbreaking 'Where am I going to?' refrain, Madonna adds a necessary, fragile vulnerability to her ambitious, rags-to-riches Eva Perón".
Neil Strauss from
The Herald Journal, said that "Madonna radiates on 'Another Suitcase in Another Hall'". Peter Keough, from the
Boston Phoenix, described the track as "a poignant, winsome exploration of pathos, defilement, and resolution sung by a young, struggling Eva forced into prostitution with a series of drab johns".
The Guardians
Jude Rogers wrote that "Madonna's wavering vocal goes full collywobbles", placing the track at number 69 on her ranking of the singer's singles, in honor of her 60th birthday. Finally,
Billboard picked it as the singer's 98th greatest song; "the delicate composition and high-register vocal make this exquisite breakup ballad a rare moment of true fragility in Madonna's catalog".
Slant Magazines Paul Schrodt placed it at number 77 in his ranking of the singer's singles, calling it "a sleepy travelogue set to schmaltzy acoustic guitar and saxophone and a male chorus echoing Eva Perón's —and by extension Madonna's— self-pitying complaints about moving from one place to another. Political and psychological nuance, meanwhile, are nowhere in sight".
Track listing and formats • ;EU & UK CD single • "Another Suitcase in Another Hall" (Album version) – 3:32 • "Don't Cry for Me Argentina" (Miami Mix Edit) – 4:28 • "
You Must Love Me" (Album version) – 2:50 • "Hello and Goodbye" (Album version) – 1:47 • ;UK Limited Edition Jewel Case • "Another Suitcase in Another Hall" (Album version) – 3:32 • "You Must Love Me" (Album version) – 2:50 • "Hello and Goodbye" – 1:47 • "Waltz for Eva and Ché" – 4:11 • ;UK Cassette single • "Another Suitcase in Another Hall" (Album version) – 3:32 • "Don't Cry for Me Argentina" (Miami Mix Edit) – 4:31
Charts == Other versions ==