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Antigone (Honegger)

Antigone is an opera in three acts by Arthur Honegger to a French libretto by Jean Cocteau based on the tragedy Antigone by Sophocles. Honegger composed the opera between 1924 and 1927. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel.

Background and performance history
Honegger had a passionate interest in theatre. Prior to Antigone, he had composed film scores and incidental music for plays as well as an oratorio, Le roi David, which he called a "dramatic psalm" and premiered in 1921. In Cocteau's words, his adaptation was a "contraction" of the Sophocles play. He described his method of reworking it as like taking "photographs of Greece from an airplane." Antigone was first performed as a play at the Théâtre de l'Atelier in Paris in 1922 with sets by Picasso, costumes by Coco Chanel, and incidental music by Honegger. Honegger had first offered Antigone to the Paris Opéra, but they rejected it as "too advanced" for the French public. Instead, it premiered at the Théâtre Royal de la Monnaie on 28 December 1927 in a triple bill with Le pauvre matelot and Shéhérazade using the sets by Picasso and costumes by Coco Chanel that had been designed for the 1922 performance of the play. The opera subsequently had eight more performances at La Monnaie between January and March 1928. In January 1928 it was also given in German translation at the Grillo-Theater in Essen, and in 1930 it was performed in English in New York by the American Laboratory Theatre. While the critical reception of these early performances was generally positive, the audiences were not enthusiastic. == Roles ==
Music
Honegger wrote in the preface of the score about his intention to "envelop the drama with a tight symphonic construction without the movement seeming heavy. and Geoffrey Spratt says that act 2, scene 8, "opens with a long treble melismatic line of quite astounding expression and profundity—qualities in no small way attributable to its scoring for saxophone and musical saw." The work has been described as austere, even severe, avoiding conventional lyricism. == References ==
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