Rich from the varied training he had received in Toulouse, Paris and Rome, he created an original and varied style influenced by
Baroque painting, classical art, 17th-century painting styles and the inheritance of the Italian masters. For instance, his work on the door of a Pharmacy presents the same subject of the Italian "Pestapepe", usually referred to
Melozzo da Forlì. He produced a personal synthesis of them and revived the artistic life of Toulouse, choosing an aesthetic that was resolutely turned towards the 17th century, and resisted the innovations of Parisian painting. His influence and his official position allowed him to influence a whole generation of 18th-century artists, creating an artistic unity which left a mark on the Toulouse painting school. After his death, his work and style was perpetuated by students such as
Guillaume Cammas and
Pierre Subleyras, but at the start of the 19th century his work became fell out of fashion for more than a hundred years, only being fully rediscovered from the 1940s onwards.
Selected works • Six monumental canvases from a grand history cycle on the history of Toulouse •
King Antiochus defeated by the Tectosages •
Raymond of Saint-Gilles taking the cross •
Defeat of Henry Plantagenet before the walls of Toulouse •
Expulsion of the Huguenots • Two landscapes : •
Birth of the duke of Brittany •
Foundation of Ancyre • Two views •
La Naissance du duc de Bretagne •
Foundation of Ankara •
La chute des anges rebelles in
Narbonne Allegory on the Peace of Utrecht.jpg|Antoine Rivalz,
Peace of Utrecht, ca. 1714, oil on canvas.
Metropolitan Museum of Art, New York Cathédrale Saint-Just de Narbonne - La chute des anges rebelles PM11000410.jpg|
La chute des anges rebelles Narbonne == Sources ==