Valle began his career with the debut album
Samba Demais in 1963. His second album
O Compositor e o Cantor (1965) contained the hit single "
Samba de Verão," known in English as "Summer Samba" or "So Nice."
Walter Wanderley's rendition of the track entered the
US Top 40 in 1966.
Warner Brothers records released an album of instrumentals titled
Braziliance! in 1967. Fearing he would be drafted for the
Vietnam War, he moved back to Brazil. During this period, Brazil's
military dictatorship had started. He and his brother and lyricist
Paulo Sérgio Valle, initially refrained from incorporating politically charged lyrics, but relented once Marcos returned to his country. According to Peter Margasak, Valle's songs "became increasingly gloomy and baroque, though its foundation never ceased to be samba and bossa nova."
Garra was released in 1971.
Will Hodgkinson of
The Times remarked that the track "Jesus Meu Rei", "sounds so much like Christian devotional pop that you would never guess it's about how much everyone hates Brazil's president." Valle also contributed to the
Black Power movement with the track "Black Is Beautiful". Valle also contributed to the soundtrack for
Vila Sésamo, a Brazilian version of
Sesame Street. Valle grew displeased with his life in Brazil. He took a break from performing live in 1975 and relocated to Los Angeles. Devoting more of his time as a composer and in recording studios, it would take years for him to regain confidence in performing, "Maybe it was five years [away from live performance] that time", as Valle claimed.
Vontade De Rever Você was released in 1981. With its tracks written alongside
Leon Ware and
Peter Cetera, and partially recorded with
Chicago, Bush said it "offered an excellent example of boogie-funk samba." Valle released his second self-titled album
Marcos Valle in 1982. He conceived the album as his way to celebrate Brazil's dissolution of the military government. Its track "Estrelar" was popular in Brazil but especially in Europe. Having written the track with
Leon Ware, Valle said, "It's maybe more important than 'Summer Samba'. It was so nice that ['Summer Samba'] was a hit in the world. But 'Estrelar' was important to attract the young people from new generations and new cultures." After releasing his soul-pop output
Tempo da Gente in 1986, he continued his career of composing songs for films and television shows, and collaborating with other artists. The 1990s saw a revival in bossa-nova and an interest in Valle. He released
Nova Bossa Nova in 1998. John Bush has seen him embrace "trends in the dance community" at that time, he said that its "production is crunchy and indebted to acid jazz (with even a drum 'n' bass breakbeat or two), while the title track and "Bahia Blue" are just as slick and well-produced as his '80s material." In 2010, he released
Estática, an album which saw him return to a more organic approach, albeit with the use of some analog synthesisers. The record features expansive horn and string arrangements and has been referred to as a "masterpiece" by some. ==Discography==