Antonio Magaz

He was the son of Juan Magaz y Jaime (Calatayud, 1823 – Madrid, 1901), 1st Marquess of Magaz, and Leonor Pers y Girandón. In 1878 he entered the Fleet Naval School aboard the frigate Asturias. In 1880 he was promoted to midshipman and, in 1884, to lieutenant. In his first years of service he sailed on the corvettes Ferrolana, Tornado and María de Molina, and on the frigates Blanca, Carmen, Zaragoza, Gerona and Lealtad. In 1892, as a lieutenant, he participated in the recreation of the first voyage of Christopher Columbus, carried out by a replica of the carrack Santa María, on the 400th anniversary of the voyage. He later took command of the gunboats Mac Mahón (1900) and Temerario (1909). In 1915 he went on to command the training corvette Nautilus and, the following year, he briefly directed the Naval Military Academy. He was later a prosecutor at the Supreme Council of War and Navy, and later went on to command the battleship España. He was later ambassador to Berlin (1937–1940) and Buenos Aires (1940–1943). == Holy See ==

In 1936, he was commissioned by the National Defense Junta of Burgos to obtain the assent as ambassador to the Holy See; this was denied since the Holy See only recognized the representative of the Republican government, Luis de Zulueta, as ambassador. Finally, on 30 September, in the absence of the ambassador, Magaz took control of the seat and the following day raised the monarchical flag. The Holy See never officially recognized him, although finally, when Magaz was assigned to Berlin, it ended up recognizing his successor, Pedro de Churruca y Dotes. == Berlin ==

During his stay in Berlin he carried out the relocation of the embassy from the former Thiele-Winkler Palace to its current headquarters in the diplomatic quarter. Likewise, on 4 July 1939, he presented Adolf Hitler, at the Reich Chancellery, three paintings by Ignacio Zuloaga, offered on behalf of Francisco Franco. He developed an interesting activity in the acquisition of decorative objects and works of art for the future embassy, coinciding with a turbulent time in the art market due to the decision of the German government to consider most of the works of art of the avant-garde movements as degenerate art (), with the consequent depreciation of their value. The Marquessate's connection with the artistic avant-garde continued with his successor, Antonio Magaz y Sangro, author of a study on the painting of Fernando Zóbel. == References ==