Works contained within •
On the Equilibrium of Planes •
On Spirals •
Measurement of a Circle •
On the Sphere and Cylinder •
On Floating Bodies •
The Method of Mechanical Theorems •
Ostomachion • Speeches by the 4th-century BC politician
Hypereides • A commentary on
Aristotle's
Categories by
Porphyry (or by
Alexander of Aphrodisias) • Other works Source:
The Method of Mechanical Theorems The palimpsest contains the only known copy of
The Method of Mechanical Theorems. In his other works, Archimedes often proves the equality of two areas or volumes with
Eudoxus'
method of exhaustion, an ancient Greek counterpart of the modern method of limits. Since the Greeks were aware that some numbers were irrational, their notion of a
real number was a quantity Q approximated by two sequences, one providing an upper bound and the other a lower bound. If one finds two sequences U and L, and U is always bigger than Q, and L always smaller than Q, and if the two sequences eventually came closer together than any prespecified amount, then Q is found, or
exhausted, by U and L. Archimedes used exhaustion to prove his theorems. This involved approximating the figure whose area he wanted to compute into sections of known area, which provide upper and lower bounds for the area of the figure. He then proved that the two bounds become equal when the subdivision becomes arbitrarily fine. These proofs, still considered to be rigorous and correct, used
geometry with rare brilliance. Later writers often criticized Archimedes for not explaining how he arrived at his results in the first place. This explanation is contained in
The Method. The method that Archimedes describes was based upon his investigations of
physics, on the
center of mass and the
law of the lever. He compared the area or volume of a figure of which he knew the total mass and center of mass with the area or volume of another figure he did not know anything about. He viewed plane figures as made out of infinitely many lines as in the later
method of indivisibles, and balanced each line, or slice, of one figure against a corresponding slice of the second figure on a lever. The essential point is that the two figures are oriented differently so that the corresponding slices are at different distances from the fulcrum, and the condition that the slices balance is not the same as the condition that the figures are equal. Once he shows that each slice of one figure balances each slice of the other figure, he concludes that the two figures balance each other. But the center of mass of one figure is known, and the total mass can be placed at this center and it still balances. The second figure has an unknown mass, but the position of its center of mass might be restricted to lie at a certain distance from the fulcrum by a geometrical argument, by symmetry. The condition that the two figures balance now allows him to calculate the total mass of the other figure. He considered this method as a useful
heuristic but always made sure to prove the results he found using exhaustion, since the method did not provide upper and lower bounds. Using this method, Archimedes was able to solve several problems now treated by
integral calculus, which was given its modern form in the seventeenth century by
Isaac Newton and
Gottfried Leibniz. Among those problems were that of calculating the
center of gravity of a solid
hemisphere, the center of gravity of a
frustum of a circular
paraboloid, and the area of a region bounded by a
parabola and one of its
secant lines. (For explicit details, see
Archimedes' use of infinitesimals.) When rigorously proving theorems involving
volume, Archimedes used a form of
Cavalieri's principle, that two volume with equal-area cross-sections are equal; the same principle forms the basis of
Riemann sums. In
On the Sphere and Cylinder, he gives upper and lower bounds for the surface area of a sphere by cutting the sphere into sections of equal width. He then bounds the area of each section by the area of an inscribed and circumscribed cone, which he proves have a larger and smaller area correspondingly. But there are two essential differences between Archimedes' method and 19th-century methods: • Archimedes did not know about differentiation, so he could not calculate any integrals other than those that came from center-of-mass considerations, by symmetry. While he had a notion of linearity, to find the volume of a sphere he had to balance two figures at the same time; he never determined how to change variables or integrate by parts. • When calculating approximating sums, he imposed the further constraint that the sums provide rigorous upper and lower bounds. This was required because the Greeks lacked algebraic methods that could establish that error terms in an approximation are small. A problem solved exclusively in the
Method is the calculation of the volume of a cylindrical wedge, a result that reappears as theorem XVII (schema XIX) of
Kepler's
Stereometria. Some pages of the
Method remained unused by the author of the palimpsest and thus they are still lost. Between them, an announced result concerned the volume of the intersection of two cylinders, a figure that
Apostol and
Mnatsakanian have renamed
n = 4 Archimedean globe (and the half of it,
n = 4 Archimedean dome), whose volume relates to the
n-polygonal pyramid.
Stomachion '' is a
dissection puzzle in the Archimedes Palimpsest (shown after Suter from a different source; this version must be stretched to twice the width to conform to the Palimpsest). In Heiberg's time, much attention was paid to Archimedes' brilliant use of
indivisibles to solve problems about areas, volumes, and centers of gravity. Less attention was given to the
Ostomachion, a problem treated in the palimpsest that appears to deal with a children's puzzle.
Reviel Netz of
Stanford University has argued that Archimedes discussed the
number of ways to solve the puzzle, that is, to put the pieces back into their box. No pieces have been identified as such; the rules for placement, such as whether pieces are allowed to be turned over, are not known; and there is doubt about the board. The board illustrated here, as also by Netz, is one proposed by
Heinrich Suter in translating an unpointed Arabic text in which twice and equals are easily confused; Suter makes at least a typographical error at the crucial point, equating the lengths of a side and diagonal, in which case the board cannot be a rectangle. But, as the diagonals of a square intersect at right angles, the presence of right triangles makes the first proposition of Archimedes'
Ostomachion immediate. Rather, the first proposition sets up a board consisting of two squares side by side (as in
Tangram). A reconciliation of the Suter board with this Codex board was published by
Richard Dixon Oldham, FRS, in
Nature in March, 1926, sparking an
Ostomachion craze that year. Modern
combinatorics reveals that the number of ways to place the pieces of the Suter board to reform their square, allowing them to be turned over, is 17,152; the number is considerably smaller – 64 – if pieces are not allowed to be turned over. The sharpness of some angles in the Suter board makes fabrication difficult, while play could be awkward if pieces with sharp points are turned over. For the Codex board (again as with Tangram) there are three ways to pack the pieces: as two unit squares side by side; as two unit squares one on top of the other; and as a single square of side the square root of two. But the key to these packings is forming isosceles right triangles, just as
Socrates gets the slave boy to consider in
Plato's
Meno – Socrates was arguing for knowledge by recollection, and here pattern recognition and memory seem more pertinent than a count of solutions. The Codex board can be found as an extension of Socrates' argument in a seven-by-seven-square grid, suggesting an iterative construction of the side-diameter numbers that give rational approximations to the square root of two. The fragmentary state of the palimpsest leaves much in doubt. But it would certainly add to the mystery had Archimedes used the Suter board in preference to the Codex board. However, if Netz is right, this may have been the most sophisticated work in the field of combinatorics in Greek antiquity. Either Archimedes used the Suter board, the pieces of which were allowed to be turned over, or the statistics of the Suter board are irrelevant. ==See also==