The third series of The Arden Shakespeare began to be edited during the 1980s, with publication starting in 1995 and concluding in 2020. The general editors for this series were Richard Proudfoot; Ann Thompson of
King's College London; David Scott Kastan of
Yale University; and
H. R. Woudhuysen of the
University of Oxford. The first editions in this series were published by
Routledge, before moving to
Thomson. They then moved to
Cengage Learning. In December 2008, the series returned to Methuen, becoming part of Methuen Drama, its original publisher. From February 2013, the titles appeared under the
Bloomsbury imprint. The editions in the third series were published very much in line with the traditions established by The Arden Shakespeare; however, editions in this series tended to be thicker than those of the first and second series, with more explanatory notes and much longer introductions. One unusual aspect of this series was its edition of
Hamlet, which presents the play in two separate volumes. The first, released in 2006, contained an edited text of the
Second Quarto (1604–05), with passages found only in the
First Folio included in an appendix, while the supplementary second volume, released a year later, contained both the text of the
First Quarto (sometimes called the "bad" quarto) of 1603, and of the First Folio of 1623. Other plays with "bad" quartos have them reproduced via photographs of each leaf of a surviving copy rather than deal with each textual anomaly on an individual basis.
Editions Due to the long period of time over which the series was published, several editions of the third series were re-issued in revised editions, from 2010 to 2018. Eight editions were reissued in revised form. Some contained minor revisions in later printings, such as
Henry V, but are not so noted on the title page. Editions that were revised are marked with the year of revised publication in the 'Year' column.
Apocrypha The third series was also notable for publishing single-volume editions of certain plays that traditionally form part of the so-called
Shakespeare Apocrypha, but for which there is considered good evidence of Shakespeare having at least been co-author. Three apocryphal plays were published in this manner. •
Double Falsehood, edited by Brean Hammond (2010) •
Sir Thomas More, edited by John Jowett (2011) •
King Edward III, edited by Richard Proudfoot and Nicola Bennett (2017) ==Fourth Series==