In 1983, the
Australian Recording Industry Association (ARIA) was established by the six major record companies then operating in Australia,
EMI,
Festival Records, CBS (now known as
Sony Music), RCA (now known as
BMG), WEA (now known as
Warner Music) and
PolyGram (now known as Universal) replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It later included smaller record companies representing independent acts/labels and has over 100 members. ARIA provided peer voting for some awards, while
Countdown provided coupons in the related
Countdown Magazine for viewers to vote for populist awards. At the 1985
Countdown awards ceremony, held on 14 April 1986, fans of
INXS and
Uncanny X-Men scuffled during the broadcast and as a result ARIA decided to hold their own awards. After that ceremony ARIA withdrew their support for the
Countdown awards. Meanwhile, four music industry representatives had met in Sydney: a talent manager Peter Rix and three record company executives Brian Harris, Peter Ikin and Gil Robert. Rix summarised the outcome, "the industry deserved a peer-voting Awards night and it needed to be sanctioned by" ARIA. to "recognise excellence and innovation in all genres of Australian music" with an annual ceremony. Initially included in the same awards ceremonies, it established the
ARIA Hall of Fame in 1988, it held separate annual ceremonies from 2005 to 2010, the Hall of Fame returned to the general ceremony in 2011. The ARIA Hall of Fame "honours Australian musicians' achievements [that] have had a significant impact in Australia or around the world". The first ceremony, in 1987, featured
Elton John as the compere and was held at the Sheraton Wentworth Hotel, Sydney. Winning, or even being nominated for, an ARIA award results in a lot of media attention and publicity on an artist, and may increase recording sales several-fold, as well as chart significance – in
2005, for example, after
Ben Lee won three awards, his album
Awake Is the New Sleep jumped from No. 31 to No. 5 in the
ARIA Charts, its highest position.
Broadcast history The first five ARIA Awards were
not televised, at the very first award ceremony on
2 March 1987, the host,
Elton John, advised the industry to keep them off television "if you want these Awards to stay fun". In June of that year
Countdown still had its own awards ceremony, which was televised, "so there was no thought of going to TV". In
1995 electronic music group,
Itch-E and Scratch-E, won the inaugural award for "Best Dance Release" for their single, "Sweetness and Light". Band member,
Paul Mac thanked Sydney's
ecstasy dealers for their help. The
2007 ARIA Awards telecast was marred by controversy after it was revealed by the
ABC's
Media Watch programme that
Network Ten had used
subliminal advertising during the course of the broadcast, which under the Australian Media and Broadcasting rules is illegal. Network Ten disputed the finding; however, their basis for defence was criticised by
Media Watch, demonstrating an ignorance of the rules.
Tony Cohen, a record producer and audio engineer for
Nick Cave and
the Cruel Sea, who won three Artisan Awards in mid-1990s, described the ARIA Board's determination of general award winners, "I find them a bit hypocritical those ARIAs. I mean, the awards for the technical people are quite honest but the ones for the actual artists, basically the record companies just sit down at a meeting and decide which one of their acts are going to win this year and all, that sort of thing. It's like a promotion thing." He specifically pointed to
Gabriella Cilmi's winning six trophies in
2008, "like that girl who won everything... who only had one song. It's a great song but, I mean, I'd rather see a little longevity first... I wish her luck and everything but you just don't, especially with kids that young." The 2010 telecast was criticised in media reports:
Crikey's Neil Walker decried the "infamously shambolic Sydney Opera House fiasco",
The Punch's Rebekah Devlin speculated on it being the worst ever telecast, "it felt like we'd stumbled into some raging A-list party and we definitely weren't invited [...] Guests who were there said it was a great night, but it reignites the debate of what the Arias are actually all about... is it an event staged for the musicians and the people there, or is it for a TV audience?", while
Daily Telegraphs Kathy McCabe felt the "underlying problem with the past two years' telecasts is they have tried to be all things to all people and do way too much" and advised that ARIA should get "professionals to do the job professionally, give them ample time to rehearse and allow them to protest when the words just don't work". In 2011
Dallas Crane's vocalist and guitarist, Dave Larkin hoped for improvement from ARIA and the telecast, "[s]o gross was last year's 'stubby-on-the-opera-house-steps' screaming match, that it still burns a brutal reflux just thinking what horrible depths our embattled industry and its unfortunate viewership plummeted to on that grievous evening of small screen hell" and felt their main flaw was that the "ARIAs never seem to take enough time or pride educating the masses on our local industry legends ... There never seems to be enough reference or homage paid to great Aussie pop and rock trailblazers who made and continue to make Australian music what it is today". ==Nomination process==